First edition hard cover, with unclipped dust jacket, both in very good condition. From the collection of W.L. Webb, the Guardian's literary editor for many years. Light shelf and handling wear, including minor creasing and wear to edges, light tanning to DJ, notable tanning to pageblock, leading into page edges. Within, pages are tightly bound, and content is unmarked. CN
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This modern version of the Faust legend has an old man of letters pass down to a young writer an ancient manuscript which bestows the gift of easy literary style and fluency -- and consequently head-turning success -- while blocking entirely any genuine creative power. To underline the devilishness of the bargain, the young author is seen to gradually throw away normal human decency as he gives in to overwhelming self-indulgence, and comes under the sensual sway of the old man's seductive mistress. On one level then, pure Faust. On another, Alan Judd's book, winner of the 1991 Guardian Fiction Prize, is a sophisticated self-referential commentary on the cliquish post-modern literary scene. This stylish and substantial novel is a clever attack on those who elevate insubstantial style.
Judd's fifth novel (Tango, 1990, etc.), winner of a Guardian Fiction Prize in England, pays self-conscious homage to Ford Madox Ford's classic, The Good Soldier, as befits a book by a Ford biographer. As in The Good Soldier, the novel is recounted by an unnamed narrator, an unassuming secondary school teacher who tells readers about the rise and fall of his friend Edward. At the outset, Edward is a promising young writer who makes a major leap in his career with a scathing essay about O.M. Tyrrel, the aged ``doyen of English letters.'' The reclusive Tyrrel unexpectedly invites Edward to interview him at his home on the French Riviera. At the end of their interview, Tyrrel gives him a mysterious and incomprehensible manuscript, then keels over dead. Not long after, Edward begins a meteoric rise, enjoying both critical and popular success, and becomes involved with the seemingly ageless Eudoxie, who was Tyrrel's mistress. The narrator and Edward remain friends, but there are strange phenomena surrounding Edward and his household, including the mysterious noise of a pen writing whenever he is thinking about work and the peculiar behavior of Eudoxie. Gradually, the narrator learns the secret of the manuscript and the woman who comes with it. He discovers that his wife and Edward have had an affair, which ultimately causes her to have a breakdown. Edward declines into morbid old age. In his final encounter with the narrator, he reveals the secret of his success before passing the manuscript on to another writer. Ironically, his critical reputation declines, as Tyrrel's had, after his death. Judd seems to intend his tale as an allegory about the price of success, but the connections are strained and the plotting predictable. An uneasy, unhappy, and unproductive mix of Ford Madox Ford and Stephen King. -- Copyright ©1994, Kirkus Associates, LP. All rights reserved.
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Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. First edition hard cover, with unclipped dust jacket, both in very good condition. From the collection of W.L. Webb, the Guardian's literary editor for many years. Light shelf and handling wear, including minor creasing and wear to edges, light tanning to DJ, notable tanning to pageblock, leading into page edges. Within, pages are tightly bound, and content is unmarked. CN. Used. Seller Inventory # 547075
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