"synopsis" may belong to another edition of this title.
Even less disturbing to the Greeks, he continues, was the systematic violence--and even human sacrifice--that erupted when a city like Athens wished to extend its territory or when a leader wished to extend his power. That violence, Burckhardt holds, was a natural result of the ancient Greeks' pursuit of honor, which accrued by facing and defeating danger. One such danger was the mere act of standing out in any way whatever, which could net a would-be hero a charge of being impious--witness, Burckhardt notes, the fates of Socrates and his contemporary Alcibiades. Drawing from examples of mythology, tragedy, oratory, and comedy, Burckhardt touches on themes such as Greek society's contempt for women and its apparent readiness to embrace all sorts of antidemocratic demagoguery--in the person, for instance, of the famed hero Lysander, who "combines depravity with natural gifts in a way that was typically Spartan and yet generally Greek." Burckhardt's deconstruction of classical history, ably edited by Oxford historian Oswyn Murray, reads as if it were written in our own time. --Gregory McNamee
"Not only a rich overview of Burckhardt's learning but a precious glimpse into the intellectual world of the late nineteenth century." --The New Yorker
"A corrective to the rather gaga idealism of 'the Greek spirit'...lively." --George Wills, The New York Times Book Review
"This book will become a necessary tool in courses not only on nineteenth-century historiography, but on the ancient world as well." --Publishers Weekly
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