Joyce Carol Oates is one of the world's most respected living novelists. Her new novel is an intense, deeply moving story of how a young woman finds her place in the world. 'In those days in the early 1960s we were not women yet but girls. This was, without irony perceived as our advantage.' So begins 'I'll Take You There', an astonishingly intimate and unsparing self-portrait of a young woman who comes of age in the most turbulent of American decades. 'Anellia' -- as she sometimes calls herself -- is a student at Syracuse University, the first time she has lived away from her family. Headstrong, passionate, occasionally obsessive, she is pitiless in exposing herself to her new life as she searches for a place in the world. In her quest for belonging, 'Anellia' discovers the risks, and curious rewards, of confronting the world: being taken in, and then cruelly rejected by a 'sisterhood' of her fellow students, falling recklessly in love with an older graduate student who happens to be black, making a journey westward when summoned by a figure from her past who she believed to be dead. Through this triptych of events, the atoms of 'Anellia's' life comes together as she begins her journey into adulthood. Joyce Carol Oates' new novel confirms her as one of America's most important writers. She has written some of the most enduring fiction of our times. 'I'll Take You There' is a deeply moving, wry, intense examination of how a girl becomes a young woman.
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In her bewitching 30th novel, I'll Take You There, Joyce Carol Oates returns again to neurotic female post-adolescence. The unnamed narrator attends an upstate New York university in the early 1960s. In those times of tightly prescribed femininity, she joins a sorority in a bald attempt to become part of the sisterhood of normalcy. It doesn't work. She reads philosophy, she works for a living, she's asexual, she's an orphan, she's a Jew: "I was a freak in the midst of their stunning, stampeding, blazing female normality." Booted from the sorority, she falls hard for a thirtyish black philosophy student who seems to her to live on a higher plane than the rest of humanity. In the final section, she is called west to the deathbed of someone she thought was lost to her forever. Oates brings together some of her strongest trademark qualities: She writes her character's life as though it were a fairy tale. She sells her material, bringing dramatic tension to the very first page: "They would claim I destroyed Mrs. Thayer.... Yet others would claim that Mrs. Thayer destroyed me." And she writes with tender care about the intellectual life of her young protagonist. Some find Oates's obsession with nascent womanhood claustrophobic, but in this heroine she finds a vein of integrity and intellectual probity peculiar to those who are not quite adult. Most writers treat college life as comedy or romance. Oates, on the other hand, seriously explores an age when we are most terribly ourselves. She seems to find something deeply human and pleasingly dramatic in this time wedged between childhood and adulthood. --Claire Dederer
Joyce Carol Oates is a writer of wide appeal for all readers, described as 'One of the Nation's finest writers': she has been a recipient of the National Book Award, PEN/Malamud Award for short fiction and was an Oprah Book Club Selection with WE WERE THE MULVANEYS. Her recent novels include BLONDE and MIDDLE AGE: A Romance. She is a member of the American Academy of Arts and Letters and is the Roger S Berlind Distinguished Professor at Princeton University.
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