Detective Constable Ash Henderson has a dark secret…
Five years ago his daughter, Rebecca, went missing on the eve of her thirteenth birthday. A year later the first card arrived: home-made, with a Polaroid picture stuck to the front – Rebecca, strapped to a chair, gagged and terrified. Every year another card: each one worse than the last.
The tabloids call him ‘The Birthday Boy’. He’s been snatching girls for twelve years, always just before their thirteenth birthday, killing them slowly, then torturing their families with his homemade cards.
But Ash hasn’t told anyone what really happened to Rebecca – they all think she ran away – because if anyone finds out, he’ll be taken off the investigation. And he’s sacrificed too much to give up before his daughter’s murderer gets what he deserves…
Stuart MacBride's book 'The Coffinmaker’s Garden' was a Sunday Times bestseller w/c 23-08-2021.
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Stuart MacBride is the Sunday Times No. 1 bestselling author of the Logan McRae and Ash Henderson novels. His work has won several prizes and in 2015 he was awarded an honorary doctorate by Dundee University.
Stuart lives in the north-east of Scotland with his wife Fiona, cats Grendel, Onion and Beetroot, and other assorted animals.
Taking a break from his Logan McRae series, MacBride offers a stand-alone whose premise is pure, twisted genius. Ash Henderson, a big, bruising police detective in fictional Oldcastle, Scotland, has been chasing a killer who snatches girls before their thirteenth birthday, tortures them to death, and then sends birthday cards—with gruesome photos—to the girls’ families each year thereafter. The kicker? Henderson has been getting the birthday cards, too, but won’t tell anyone his missing daughter is also a victim: if he’s taken off the case, he’ll lose his chance to catch the “Birthday Boy” himself. This has all the hallmarks of MacBride’s best books—gruesome violence, foul weather, pitch-black humor, and entertainingly mismatched protagonists (Henderson is paired with “freak-show” forensic psychologist Alice McDonald). But despite all this has to offer readers so inclined, MacBride needs an editor who’s not afraid to use a knife, as the book feels about 100 pages and one plot twist too long. On the other hand, those who enjoy spending time in MacBride’s dark world may not mind a bit. --Keir Graff
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