Fifteen vignettes concerning the conflicts, situations, problems, and personalities characteristic of contemporary society
"synopsis" may belong to another edition of this title.
No writer has been more efficiently overshadowed by his imitators than Ernest Hemingway. From the moment he unleashed his stripped-down, declarative sentences on the world, he began breeding entire generations of miniature Hemingways, who latched on to his subtractive style without ever wondering what he'd removed, or why. And his tendency to lapse into self-parody during the latter half of his career didn't help matters. But In Our Time, which Hemingway published in 1925, reminds us of just how fresh and accomplished his writing could be--and gives at least an inkling of why Ezra Pound could call him the finest prose stylist in the world.
In his first commercially published book (following the small-press appearance of Three Stories and Ten Poems in 1924), Hemingway was still wearing his influences on his sleeve. The vignettes between each story smack of Gertrude Stein, whose minimalist punctuation and clodhopping rhythms he was happy to borrow. "My Old Man" sounds like Huck Finn on the Grand Tour: "Well, we went to live at Maisons-Lafitte, where just about everybody lives except the gang at Chantilly, with a Mrs. Meyers that runs a boarding house. Maisons is about the swellest place to live I've ever seen in all my life." But in the "The Battler" or "Indian Camp" or "Big Two-Hearted River," Hemingway finds his own voice, shunning the least hint of rhetorical inflation and sticking to just the facts, ma'am. His reluctance to traffic in high-flown abstraction has often been chalked up to postwar disillusion--as though he were too much of a simpleton to make deliberate stylistic decisions. Still, nobody can read "Soldier's Home" without drawing a certain connection between the two. Returning home to Oklahoma, the hero finds that his tales of combat are now a bankrupt genre:
Even his lies were not sensational at the pool room. His acquaintances, who had heard detailed accounts of German women found chained to machine guns in the Argonne forest and who could not comprehend, or were barred by their patriotism from interest in, any German machine gunners who were not chained, were not thrilled by his stories.If we are to believe Michael Reynolds and Ann Douglas, this passage reflects the author's own dreary homecoming as a member of the lost generation. It's also a fine example of a surprisingly rare phenomenon, at least at this point in his career: Hemingway being funny. --James Marcus
Ernest Hemingway ranks as the most famous of twentieth-century American writers; like Mark Twain, Hemingway is one of those rare authors most people know about, whether they have read him or not. The difference is that Twain, with his white suit, ubiquitous cigar, and easy wit, survives in the public imagination as a basically, lovable figure, while the deeply imprinted image of Hemingway as rugged and macho has been much less universally admired, for all his fame. Hemingway has been regarded less as a writer dedicated to his craft than as a man of action who happened to be afflicted with genius. When he won the Nobel Prize in 1954, Time magazine reported the news under Heroes rather than Books and went on to describe the author as "a globe-trotting expert on bullfights, booze, women, wars, big game hunting, deep sea fishing, and courage." Hemingway did in fact address all those subjects in his books, and he acquired his expertise through well-reported acts of participation as well as of observation; by going to all the wars of his time, hunting and fishing for great beasts, marrying four times, occasionally getting into fistfights, drinking too much, and becoming, in the end, a worldwide celebrity recognizable for his signature beard and challenging physical pursuits.
"About this title" may belong to another edition of this title.
US$ 4.25 shipping within U.S.A.
Destination, rates & speedsSeller: Foxtrot Books, Yankton, SD, U.S.A.
Soft cover. Condition: Good. Good Condition paperback 156 pages. Seller Inventory # 037532
Quantity: 1 available
Seller: Wonder Book, Frederick, MD, U.S.A.
Condition: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Seller Inventory # F25H-01065
Quantity: 1 available
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Good. Used book that is in clean, average condition without any missing pages. Seller Inventory # GRP93997390
Quantity: 2 available
Seller: Better World Books: West, Reno, NV, U.S.A.
Condition: Good. Used book that is in clean, average condition without any missing pages. Seller Inventory # GRP93997390
Quantity: 1 available
Seller: Dr. P's Rare Books &c., Annapolis, MD, U.S.A.
Pages are unmarked. Technically the first Collier edition in this mass market paperback format, but it looks to be the 12th printing, so this would be a good reading copy. Seller Inventory # ABE-1754935852395
Quantity: 1 available
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Unknown. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.25. Seller Inventory # G0020518102I3N00
Quantity: 1 available
Seller: Basement Seller 101, Cincinnati, OH, U.S.A.
Mass Market Paperback. Condition: Very Good. Seller Inventory # 240522017
Quantity: 1 available
Seller: Book Nook, Monroe, MI, U.S.A.
Mass Market Paperback. Condition: Very Good. binding is tight, no spine crease, no tears or other creases, edges are lightly rubbed, remainder mark along pages edge, text is clean and unmarked, previous owner's name written on inside front cover and half title page. Seller Inventory # 316206
Quantity: 1 available
Seller: W. Fraser Sandercombe, Burlington, ON, Canada
Soft cover. Condition: Very Good. Fred Marcellino; (illustrator). First Thus. Light edge and corner wear with a flat uncreased spine; slightly wrinkled appearance in the text block; no other interior markings. Cover art by Fred Marcellino. This story collection contains: The Snows of Kilimanjaro; A Clean, Well-Lighted Place; A Day's Wait; The Gambler, the Nun, and the Radio; Fathers and Sons; In Another Country; The Killers; A Way You'll Never Be; Fifty Grand; and The Short Happy Life of Francis Macomber. Book. Seller Inventory # 234078
Quantity: 1 available
Seller: W. Fraser Sandercombe, Burlington, ON, Canada
Soft cover. Condition: Near Fine. Fred Marcellino; (illustrator). First Thus. Light rubbing on the corners with a flat uncreased spine; no interior markings. Cover art by Fred Marcellino. This story collection contains: On the Quai at Smyrna; Indian Camp; The Doctor and the Doctor's Wife; The End of Something; The Three-Day Blow; The Battler; A Very Short Story; Soldier's Home; The Revolutionist; Mr. and Mrs. Elliot; Cat in the Rain; Out of Season; Cross-Country Snow; My Old Man; and Big Two-Hearted River Parts 1 and 2. Book. Seller Inventory # 234065
Quantity: 1 available