Maggie has always been the white sheep of the Walsh family. Unlike her comically dysfunctional sisters, Rachel (heroine of Rachel's Holiday) and Claire (heroine of Watermelon), she married a decent man who adored her and found herself a solid career. Where Rachel was reckless and Claire dramatic, Maggie settled early for safety. Or so she believed -- until she discovers that her husband is having an affair and her boss is going to fire her. Suddenly, her perfectly organized life has become a perfect mess.
Devastated, she decides the only thing to do is to run for the shelter of her best friend, Emily, who lives in Los Angeles. There, with the help of sunshine and long days at the beach, she will lick her wounds and decide where life will take her next.
But from the moment she lands in the City of Angels, things are not quite what she expected. Overnight, she's mixing with movie stars, even pitching film scripts to studios. Most unexpectedly of all, she finds that just because her marriage is over, it doesn't mean her life is. In the end neither the City of Angels nor Maggie Walsh will ever be the same again.
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Marian Keyes is the author of ten bestselling novels and two essay collections. She lives in Ireland with her husband and their two imaginary dogs.From Publishers Weekly:
Thirty-three-year-old Brit Margaret ("Maggie") Walsh is going through a "bad patch": she's drunk her contact lenses for "the third time in six weeks"; she's lost her job; and her nine-year marriage to Garv is over. Thus begins Keyes's enormously entertaining fifth novel. She resurrects the "maintenance-level dysfunctional" Walsh family: sisters Claire (Watermelon), Rachel (Rachel's Holiday), Helen and Anna, plus a befuddled dad and hyper-as-a-hummingbird mum. Maggie, however, is the "good" sister, so it is especially shameful when she must slink back home. She tends to the "mourning sickness" over her failed marriage, which Keyes describes with surprising depth and verisimilitude, and begins fantasizing about what might have been with her first love, Shay Delaney. Accepting an invitation from her best friend, Emily, a struggling screenwriter, Maggie visits L.A., the mecca of reinvention. She decides to trade in her "plain yogurt" persona for that of bad girl and takes an oft-bumpy walk on the wild side, with results that are riotously and embarrassingly silly. Amid her drunken nights and poor flirting choices, she throws herself into the glittering cesspool of La-la-land: acting as Emily's assistant, she witnesses the superficial frivolity and vicious fickleness of the entertainment business. Keyes's observations may be familiar (on aura reading, fake boobs, sadistic eyebrow groomers, the dependence of social status on cars), but her cleverly hilarious approach, especially as a foreigner, keep them fresh. Although this is unquestionably a fun read, Keyes refrains from turning it into fluff and delivers a well-rounded story. Her themes of love and redemption coupled with her familiar, best-friend tone have made her wildly popular in the U.K. and, like her latest novel, should ensure her a Hollywood ending in the U.S. as well.
Copyright 2002 Cahners Business Information, Inc.
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