Dear Gert,
If you won't write to me, then could you send me some money?
I believe you have a good job. A few hundred pounds would be helpful.
Don't send cash, as the post often gets stolen. Send a cheque.
I am your mother.
Jean
Gert Hardcastle is thirty-something and unlucky in love. She is also estranged from her mother, Jean. As Crocodile Soup opens, she thinks she has found "the One"--the enigmatic Eva, who serves coffee in the cafeteria in the museum where Gert works as a curator cataloging Egyptian artifacts. As Gert embarks on her hilarious and poignant pursuit of Eva, she looks back on her eccentric childhood and her relationship with Jean through a series of vivid and surreal flashbacks.
As she revisits her past, Gert brings to life the bizarre and endearing members of her family: her obsessive twin, Frank, with whom she communicates telepathically; her father, George, who vanishes to Africa to salvage the family crocodile farm; her vain, neglectful mother, Jean; and the family ghost--a Victorian poet who haunts the attic. Gert's story is punctuated by terse, intriguing letters from jean to which she does not respond, and ambiguous encounters with Eva.
In her struggle to come to terms with her mother, Gert opens up to Eva, and begins to understand more about her past. Is Gert destined to remain the scaffolding for those around her or will she find her savior? In a lyrical narrative studded with relentless humor and giddy self-deprecation, Julia Darling introduces an irresistible cast of characters whose shared story is unforgettable.
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Well received by English critics, Crocodile Soup will call to mind Jeanette Winterson's early work, especially Oranges Are Not the Only Fruit, yet this fragmented but appealing comic novel is entirely fresh. Julia Darling has the gift of writing from a child's perspective: an ability to see at close range, and without context, making plain the strangeness and wonder of the world. The best chapter in the book is a brief description of the twins' first day of nursery school. Surveying the chubby boys racing wild-eyed around the room, Gert promptly wets her pants, while Frank begins to count maniacally. For the rest of the morning, she is ostracized, and sits in humiliation near the fuzzy felt while her brother, "still counting, drew a picture of an abattoir, upsetting some of the other children."
He had reached two thousand and eighty-three when Miss Lute rang a heavy brass bell, and we were instructed to eat rusks, which tasted of recently ironed tablecloths. We were told to chew them thoroughly. Then we had weak juice, that must have been drugged, because afterwards we all lay down on straw mats and fell asleep, while Miss Lute sang "The Farmer Wants a Wife" in a low monotone.None of Darling's other characters come to life in the way that Gert and Frank do, not even Gert as an adult, with her inexplicable passion for Eva. Narrative, too, isn't the driving force behind Crocodile Soup, which ambles along with an internal logic that may frustrate a plot-loving reader. Nevertheless, the childhood scenes and Darling's comic talents make this a more-than-worthy debut from a quirky new voice in British fiction. --Regina Marler
Julia Darling is a playwright, poet, and short-story writer. Crocodile Soup is her first novel. She lives in northern England with her two daughters.
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