The story of how CBS's 60 Minutes grew from a little network experiment into a Sunday-night-at-seven addiction for most of the country would itself make a raucous and typically compelling 60 Minutes episode. Or, maybe, an opera, complete with rival tenors, backstage intrigues, imperious divas, vulnerable ingenues, tragic deaths, a handful of big and small wars, and a brilliant if maniacal maestro running the whole production. For two years, author David Blum talked to everybody connected to 60 Minutes, and, incredibly, everybody talked to him -- about themselves, about the show, about one another. Blum's unprecedented inside access takes us into story meetings, blood-on-the-wall editing sessions, turf wars, and to the heart of the rivalries and the myths -- who got hired, who got fired, who got screwed -- going as far back as theearliest black-and-white days.
In a history that spans four decades, 60 Minutes has piled up an encyclopedic list of first-and-onlys: it has aired fourteen-hundred-plus times, hauled in a profit of two billion dollars for CBS, finished in TV's top ten for twenty-two consecutive seasons, and garnered sixty-eight Emmy Awards. In the process, producer-guru Don Hewitt's beloved "tigers" -- correspondents Mike Wallace, Morley Safer, Ed Bradley, Lesley Stahl, Steve Kroft, Dan Rather, Diane Sawyer, Meredith Vieira, the late Harry Reasoner, and cranky essayist Andy Rooney -- have become brand names and media demigods. Hidden cameras, "gotcha" interviews, in-your-face confrontational journalism -- this is where it all began.
And thirty-six years later, Hewitt's still there, pounding his desk, swearing at his tigers (most of whom are also still there), and holding in his tightly clenched fist the patent on the mother of all magazine shows.
Or, rather, he was, until just recently, when a bunch of younger guys in suits decided it was time to take 60 Minutes away from its eighty-one-year-old boss. The changes, the innovations, the stop-the-presses big stories -- for Hewitt, and maybe a couple of the others -- are, at last, winding down. But the story of the most successful and contentious program in TV history is not over yet: the new guys are settling in and the future is up for grabs.
"synopsis" may belong to another edition of this title.
David Blum has written regularly for New York Magazine, Esquire, and the New York Times Magazine, and is the author of Flash in the Pan: The Life and Death of an American Restaurant. He is the television critic for the New York Sun and teaches at the Columbia University Graduate School of Journalism. He lives with his wife and children in New York City.
60 Minutes has been on the air nearly 40 years, and as readers near the end of this behind-the-scenes history of the stalwart newsmagazine, they might feel as if they’ve been reading about it just as long. Blum writes for Vanity Fair, the Wall Street Journal and other national publications, and (perhaps unintentionally) captures the famished, breathless tone of a celebrity-driven feature story. Using interviews and the numerous books, articles and memoirs about the show and its correspondents, Blum tells the epic tale. Don Hewitt began as a merchant marine reporter, came to CBS News and launched his dream show as part of the new Tuesday night lineup in September 1968. Although initial critical response was positive, ratings remained poor while the show struggled to establish its identity. By the mid-’70s, however, the producers’ investigative journalism had grabbed viewers’ attention, and as the audience grew, so did the cast. Blum weaves backstories about Harry Reasoner and Mike Wallace (the original front-of-camera team) with relentless administrative squabbles between Hewitt and network honchos, and the cycles of professional ambition and personal egotism are regular and monotonous. Blum attempts to give shape to the ongoing drama of outsized personalities (many come off as predictably power hungry or disingenuously careerist), but the energy dissipates long before book’s end. Photos.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Blum begins with the retirement party for Don Hewitt, the egotistical 60 Minutes executive producer who dreamed up the idea behind the most popular television news show and who managed to stay at the helm until recently. Despite on-air camaraderie, the show has been a rancorous place to work, plagued by Hewitt's wild ideas and insults, balanced by his desire for hard-hitting journalism. The show pioneered news-gathering techniques, including hidden cameras and "gotcha" interviews. Aggressive reporting by Mike Wallace and others provoked lawsuits by the tobacco industry and General Westmoreland. This is a compelling, behind-the-scenes look at the rise of Hewitt and 60 Minutes, including the illustrious careers of the show's correspondents: Wallace, Morley Safer, Dan Rather, Ed Bradley, Diane Sawyer, and others. Blum details the clash of egos and personalities, the individual quirks of the on-air luminaries and their producers, and the ongoing battles with management at CBS, all against the backdrop of 36 years of domestic and international news coverage. Readers interested in the workings of television news shows will thoroughly enjoy this book. Vanessa Bush
Copyright © American Library Association. All rights reserved
"About this title" may belong to another edition of this title.
Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Hardback. Condition: Very Good. Seller Inventory # 00102348676
Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Hardback. Condition: Good. Seller Inventory # 00101038245
Seller: BooksRun, Philadelphia, PA, U.S.A.
Hardcover. Condition: Very Good. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. Seller Inventory # 0060558016-11-1-29
Seller: Wonder Book, Frederick, MD, U.S.A.
Condition: As New. Like New condition. Very Good dust jacket. With remainder mark. A near perfect copy that may have very minor cosmetic defects. Seller Inventory # U13B-05786
Seller: Wonder Book, Frederick, MD, U.S.A.
Condition: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included. Seller Inventory # P04K-01225
Seller: Wonder Book, Frederick, MD, U.S.A.
Condition: Good. Good condition. Good dust jacket. With remainder mark. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Seller Inventory # I12A-02485
Seller: HPB-Ruby, Dallas, TX, U.S.A.
hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_396693572
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condition: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0060558016I4N01
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # 41052745-6
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # 54903047-6