Driving home at dusk, Claire Andrews, an art history professor at a prestigious New England university, accidentally strikes and kills a boy. Though immediately cleared of blame, she is nonetheless left psychologically devastated and haunted by the accident's consequences. Meanwhile Claire wrestles with her study of Vincent van Gogh's Crows over the Wheatfield and the painting's mysterious relationship to its creator's untimely death. As worrisome parallels between the suicidal artist's life and her own begin to emerge, she'll have to reconcile herself to her past to become whole again . . . or surrender to the darkness that is enveloping her.
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Adam Braver is the author of Divine Sarah and Mr. Lincoln's Wars. His work has appeared in Daedalus, Cimarron Review, Post Road, and Pittsburgh Quarterly. He teaches creative writing at Roger Williams University in Bristol, Rhode Island.
Van Gogh scholar Claire Andrews strikes a young boy while driving home and kills him instantly. Though she could do little to prevent the accident, Claire faces intense guilt, as well as a high-publicity, slanderous lawsuit pushed by the boy's grandfather, former city attorney Fletcher Kennealy. Claire's estranged husband, Richard, moves in to help her through the ordeal, as Claire struggles to complete a career-crucial monograph on Crows over the Wheat Field and its connection to Van Gogh's suicide. Claire quickly goes on sabbatical to Auvers-sur-Oise, the Mediterranean town where Van Gogh ended his life. There, she uncovers surprising new insights into Van Gogh and his already well-studied friendship with Dr. Paul-Ferdinand Gachet, physician, art collector, and amateur painter (and, natch, discovers parallels between Van Gogh's life and her own). Over-the-top prose ("Claire felt the dramatic irony of hope, looking into those pure eyes, knowing that heartbreak, disappointment, and affected and unaffected tragedy lie just beyond the door"), a plodding pace and a too-fast denouement can't quite kill this second novel from Braver (Divine Sarah), who gets Claire's feelings right and offers up a nice look at Van Gogh's last years to boot. (June)
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