The Zero: A Novel - Hardcover

Walter, Jess

Hardcover

ISBN 10: 0060898658 ISBN 13: 9780060898656

Publisher: Harper, 2006

Synopsis

National Book Award Finalist 

"Political satire at its best: scathing, funny, dark. Grade: A.” —Entertainment Weekly

The breakout novel from the #1 New York Times bestselling author of Beautiful Ruins, Jess Walter: In the wake of a devastating terrorist attack, one man struggles to make sense of his world, even as the world tries to make use of him

Brian Remy has no idea how he got here. It’s been only five days since terrorists attacked his city, and Remy is experiencing gaps in his life—as if he were a stone being skipped across water. He has a self-inflicted gunshot wound that he doesn’t remember inflicting. His son wears a black armband and refuses to acknowledge that Remy is still alive. He seems to be going blind. He has a beautiful new girlfriend whose name he doesn’t know. And his old partner in the police department, who may well be the only person crazier than Remy, has just gotten his picture on a box of First Responder cereal.

And these are the good things in Brian Remy’s life. While smoke still hangs over the city, Remy is recruited by a mysterious government agency that is assigned to gather all of the paper that was scattered in the attacks. As he slowly begins to realize that he’s working for a shadowy intelligence operation, Remy stumbles across a dangerous plot, and with the world threatening to boil over in violence and betrayal, he realizes that he’s got to track down the most elusive target of them all—himself. And the only way to do that is to return to that place where everything started falling apart.

In the tradition of Catch-22, The Manchurian Candidate, and the novels of Ian McEwan, comes this extraordinary story of searing humor and sublime horror, of blindness, bewilderment, and that achingly familiar feeling that the world has suddenly stopped making sense.

About this title

About the Author

Jess Walter is the author of eight novels, including the bestsellers So Far Gone, The Cold Millions, and Beautiful Ruins, the National Book Award Finalist The Zero, and Citizen Vince, winner of the Edgar Award for best novel. His short fiction, collected in The Angel of Rome and We Live in Water, has won the O. Henry Prize, the Pushcart Prize and appeared three times in Best American Short Stories. As a reporter, he was a finalist for the 1993 Pulitzer Prize for his coverage of Ruby Ridge. He lives in his hometown of Spokane, Washington.

From the Back Cover

The Zero is a groundbreaking novel, a darkly comic snapshot of our times that is already being compared to the works of Franz Kafka and Joseph Heller.

From its opening pages—when hero cop Brian Remy wakes up to find he's shot himself in the head—novelist Jess Walter takes us on a harrowing tour of a city and a country shuddering through the aftershocks of a devastating terrorist attack. As the smoke slowly clears, Remy finds that his memory is skipping, lurching between moments of lucidity and days when he doesn't seem to be living his own life at all. The landscape around him is at once fractured and oddly familiar: a world dominated by a Machiavellian mayor known as "The Boss," and peopled by gawking celebrities, anguished policemen peddling First Responder cereal, and pink real estate divas hyping the spoils of tragedy. Remy himself has a new girlfriend he doesn't know, a son who pretends he's dead, and an unsettling new job chasing a trail of paper scraps for a shadowy intelligence agency known as the Department of Documentation. Whether that trail will lead Remy to an elusive terror cell—or send him circling back to himself—is only one of the questions posed by this provocative yet deeply human novel.

From a novelist of astounding talent, The Zero is an extraordinary story of how our trials become our transgressions, of how we forgive ourselves and whether or not we should.

Reviews

Jess Walter, whose new dark (and darkly comic) thriller opens in New York a few days following Sept. 11, 2001, does the smartest thing he could have done: He doesn't mention 9/11 by name, nor does he mention the World Trade Center or any other important person, place or thing having to do with that day. And yet we know exactly who's who and what's what. Even the book's title, The Zero, is a reference to Ground Zero, but by stripping away a single word, he makes the place both fresh and nightmarish all over again. Walter builds the hellish aftermath from scratch, transforming that day -- and the months that follow -- into a noir page-turner with powerful social commentary about the marketing of a tragedy and the endless ways in which some citizens have profited by it.

When writing about the "Zero" itself, Walter doesn't spare us details that have the ring of truth:

"Everyone knew that it stunk especially bad here, and everyone knew what the smell had to be, but no one could find the exact source. An elevator bank? A stairwell? A fire rig? A few years ago, when he was still married, Remy had kicked his kid's jack-o'-lantern underneath his porch and this was how it smelled in spring."

The Zero is the story of policeman Brian Remy, whose life begins slipping out of control after the towers come down. During bouts of mysterious memory loss, Remy has been enlisted by a secret organization involved in tracking down a woman named March Selios, who worked in one of the towers but may have survived. What ensues is a cross-country hunt for clues and Remy's growing suspicion that he is committing unspeakable acts during his blackouts. Why is he searching for March? Like a character out of a Kafka novel, Remy isn't sure what the purpose of his pursuit is, and yet he pursues.

A large cast of minor characters makes The Zero particularly rich: Paul Guterak, Remy's old partner, who is obsessed with his newfound post-9/11 fame and can't stop talking about it; Edgar, Remy's teenage son, who enjoys the attention he receives when he tells his classmates that his father perished in one of the buildings; Markham, Remy's partner in the covert operation, who waxes philosophic on the attractiveness of deer ("I'm not saying I'd necessarily want to have sex with a deer").

Walter's deadpan dialogue rivals that in scenes from Denis Johnson's Jesus' Son:

"Guterak looked over. 'Hey, you got your hair cut.'

" 'Yeah.' Remy put the cap back on.

" 'What made you do that?'

" 'I shot myself in the head last night.'

" 'Well.' Paul drove quietly for a moment, staring straight ahead. 'It looks good.' "

Walter nails our often surreal post-9/11 world, where exploitation of the tragedy has become commonplace. Remy spots "rows of news trucks, two dozen of them queued up for slow troll, grief fishing, block after block -- Action and Eyewitness and First At, dishes scooped to the sky like palms at a mass." His old partner signs a deal to promote First Responder cereal.

The novel falters, however, when Walter tries to sustain the credibility of Remy's frequent memory loss for 300 pages. Since we are confined to Remy's perspective, the reader experiences these lapses along with Remy. His disorientation becomes our disorientation, and his lapses raise a host of critical questions: Why is Remy remembering certain things but not others? Why does he remember "not remembering"?

The book's individual scenes are aesthetically appealing, but the reader can't get a grip on the plot's larger issues (namely, what is Remy's role in this secret organization; why does he continue doing what he's doing?). It becomes increasingly hard to care for a narrator who is unsure of his own motives and whose goals remain murky even to himself.

Despite this weakness, I was still won over. Walter is an immensely talented writer. In April, his Citizen Vince won the Edgar Allan Poe Award for best novel, and now he's written a new thriller not only with a conscience but also full of dead-on insights into our culture and its parasitic response to a national tragedy.

Reviewed by John McNally
Copyright 2006, The Washington Post. All Rights Reserved.

A deliriously mordant political satire, Walter's follow-up to 2005's critically acclaimed Citizen Vince begins moments after New York City cop Brian Remy shoots himself in the head. He isn't seriously wounded, and he can't remember doing it. It's less than a week after 9/11, and Brian serves as an official guide for celebrities who want a tour of "The Zero." With stitches still in his scalp, Brian is tapped for a job with the Documentation Department, a shadowy subagency of the Office of Liberty and Recovery, which is charged with scrutinizing every confetti scrap of paper blown across the city when the towers fell. As he learns the truth about his new employer's mission (think: recent NSA-related headlines) and becomes enmeshed in a sinister government plot, he finds an unseemly benefactor in "The Boss," the unnamed mayor who cashes in on his sudden national prominence. Meanwhile, Brian's cop and firemen colleagues shill for "First Responder" cereal, his rebellious teenage son acts as if Brian died in the attack and the president provides comic background sound bites ("draw your strength from the collective courage and resilientness"). Walter's Helleresque take on a traumatic time may be too much too soon for some, but he carries off his dark and hilarious narrative with a grandly grotesque imagination. 100,000announced first printing; 12-city author tour.(Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

*Starred Review* Numerous thrillers have drawn on 9/11, but most have used those all-too-horrific events only as a frame. Walter digs deeper. This discombobulating but remarkably imaginative novel never names bin Laden or even the date, but we know where we are. Bits of paper from the explosions continue to rain down from the sky, and rescue workers continue to look for bodies at Ground Zero (or, the Zero, as the cops and firefighters who were there refer to it). One of those cops, Brian Remy, opens the novel by shooting himself in the head. But, minutes later, he can't remember doing it. Remy suffers from what he calls "gaps"--memory lapses in which he has no idea why he is doing what he's doing. These gaps are the main narrative device in the novel, and they take some getting used to, as the reader is every bit as affected by the blackouts as Remy. Gradually, both character and reader begin to piece things together: Remy has been hired by the "Boss" to lead a secret "documentation recovery" effort aimed at finding a link between the terrorists and a woman working in one of the towers. But to what end? Even in his lucid moments, Remy doesn't understand his assignment, which seems to have something to do with "applying models of randomness to the patterns in paper burns." There is plenty of stinging political satire here, but beyond that, Walter has taken the terrorist thriller into new territory, mixing the surreal cityscape of Blade Runner with a touch of Kafka and coming up with what may be the perfect metaphor for the way we experience today's world. Like Remy, we suffer from gaps whenever we watch the news or try to make sense of international affairs: randomness reigns. This isn't a perfect novel, but it takes a game shot at re-creating the emotional reality of the post-9/11 world. Bill Ott
Copyright © American Library Association. All rights reserved

Edition details

• Publisher: Harper
• Publication date: 2006
• Language: English
• ISBN 10: 0060898658
• ISBN 13: 9780060898656
• Binding: Hardcover
• Number of pages: 336