In writing, style matters. Our favorite writers often entertain, move, and inspire us less by what they say than by how they say it. In The Sound on the Page, acclaimed author, teacher, and critic Ben Yagoda offers practical and incisive help for writers on developing and discovering their own style and voice. This wonderfully rich and readable book features interviews with more than 40 of our most important authors discussing their literary style, including:
Dave Barry
Harold Bloom
Supreme Court Justice Stephen Breyer
Bill Bryson
Michael Chabon
Andrei Codrescu
Junot Díaz
Adam Gopnik
Jamaica Kincaid
Michael Kinsley
Elmore Leonard
Elizabeth McCracken
Susan Orlean
Cynthia Ozick
Anna Quindlen
Jonathan Raban
David Thomson
Tobias Wolff
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Ben Yagoda is the author of About Town: The New Yorker and the World It Made, a New York Times Notable Book of the Year, and Will Rogers. He is coeditor, with Kevin Kerrane, of The Art of Fact: A Historical Anthology of Literary Journalism, and has written for The New York Times Magazine, The American Scholar, Esquire, and many other publications. Yagoda directs the journalism department at the University of Delaware, where he teaches nonfiction writing. He lives in Swarthmore, Pennsylvania, with his wife and two daughters.
Yagoda begins his penetrating, historically based inquiry into the allure of literature with a deceptively simple premise: "Style matters." But what exactly do we mean by style? And how does style relate to voice? Yagoda, the notably lucid author of About Town: The New Yorker and the World It Made (2000), establishes two stylistic poles: the "transparent" prose advocated by Strunk and White's Elements of Style and style as self-expression and the embodiment of a moral viewpoint. Seeking understanding of a "middle style" that combines the best of both, Yagoda--splendidly well read, inquisitive, and perceptive--spoke with 40 diverse writers about style and voice, and excerpts from his interviews with the likes of Harold Bloom, Toni Morrison, Elmore Leonard, Gish Jen, Dave Barry, Ann Beattie, and Billy Collins enliven his cogent running commentary with revelations of everything from whether writers use pens or computers to how a writer strikes a balance between spoken and written language. In sum, Yagoda has forged a sophisticated and scintillating writer's resource in sync with today's thriving MFA writing programs. Donna Seaman
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