His name was Rob Castor. Quite possibly, you've heard of him. He became a minor cult celebrity in his mid-twenties for writing a book of darkly pitch-perfect stories set in a stupid sleepy upstate New York town. Several years later, he murdered his writer girlfriend, and then committed suicide. . . .
With extraordinarily luxuriant and evocative prose, award-winning author Eli Gottlieb takes us deep into the human psyche, where the most profound of secrets are kept. Now You See Him is a wrenching and enthrallingly suspenseful story that mines the explosive terrains of love and paternity, marriage and its delicate intricacies, family secrets and how they fester over time, and ultimately the true nature of loyalty, trust, friendship, envy, deception, and manipulation.
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Eli Gottlieb's New York Times Notable Book, The Boy Who Went Away, won the Rome Prize and the 1998 McKitterick Prize from the British Society of Authors. His second novel, Now You See Him, has been translated into eleven languages. He lives in New York City.www.eligottlieb.com
Starred Review. A mesmerizing blend of suspense and long-buried family secrets, Gottlieb's second novel (after 1997's The Boy Who Went Away) culminates in shocking revelations that rock a quiet upstate New York town. Nick Framingham is still reeling from the recent death of his childhood best friend, the writer Rob Castor, who committed suicide after killing his ex-girlfriend in Manhattan. Nick's own marriage to his college sweetheart, Lucy, begins to unravel as he struggles to understand what drove Rob to murder. Rekindling an old relationship with his first love, Belinda, Rob's volatile and beautiful sister, Nick begins to retrace not only Rob's last days but also their shared childhood, looking for clues to explain his friend's actions. Gottlieb skillfully ratchets up the suspense by doling out the details of Rob's death in bits and pieces, until everything falls into place in a startling conclusion that will rattle even the genre's most experienced readers. With his pitch-perfect dialogue and flawed yet empathetic characters, Gottlieb's sophomore effort should win him widespread recognition. (Feb.)
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