“Not only a historical rockument of the revolutionary 90s counterculture Riot Grrrl movement. . . but also a rousing inspiration for a new generation of empowered rebel girls to strap on guitars and stick it to The Man.” — Vanity Fair
Girls to the Front is the epic, definitive history of the Riot Grrrl movement—the radical feminist punk uprising that exploded into the public eye in the 1990s, altering America’s gender landscape forever. Author Sara Marcus, a music and politics writer for Time Out New York, Slate.com, Pos, and Heeb magazine, interweaves research, interviews, and her own memories as a Riot Grrrl front-liner. Her passionate, sophisticated narrative brilliantly conveys the story of punk bands like Bikini Kill, Bratmobile, Heavens to Betsy—as well as successors like Sleater-Kinney, Partyline, and Kathleen Hanna’s Le Tigre—and their effect on today’s culture.
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Sara Marcus is a write and musician living in Brooklyn, New York. Her prose and poetry have appeared in publications including Slate, Time Out New York, The Advocate, The Philadelphia Inquirer, and Heeb, where she was the politics editor for five years. Marcus received an MFA from Columbia University.
Girls to the Front is the epic, definitive history of Riot Grrrl—the radical feminist uprising that exploded into the public eye in the 1990s and included incendiary punk bands Bikini Kill, Bratmobile, Heavens to Betsy, and Huggy Bear. A dynamic chronicle not just a movement but an era, this is the story of a group of pissed—off girls with no patience for sexism and no intention of keeping quiet.
A Brooklyn-based journalist gives a brash, gutsy chronicle of the empowering music and feminist movement of the early 1990s led by young women rock groups like Bikini Kill and Bratmobile. Politicized by such national events as the backlash against feminism in the press, the first Iraq War, and the Supreme Court's gearing up to review Roe v. Wade, young women were incensed. Kathleen Hanna, a college student from Olympia, Wash., was spurred to action after interviewing writer Kathy Acker and working for a domestic violence shelter, and she decided to start a band. Hanna, along with Tobi Vail, a fanzine writer (Jigsaw) and former punk rocker who was dating Nirvana's Kurt Cobain, were on a mission to spread female rebellion via their band, Bikini Kill. Meanwhile, Allison Wolfe and Molly Neuman, who had met at the University of Oregon, were in Washington, D.C., cobbling together their own band, Bratmobile. Thus, writes Marcus in this compelling account, the Grrrl Revolution was sparked. Marcus enthusiastically tracks the "scattered cartographies of rebellion" and captures the combustible excitement of this significant if short-lived moment.
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*Starred Review* Marcus’ compelling history covers a specific time period, 1989–1994, and a particular type of music that turned into a larger social movement. The riot grrrl movement was a potent form of female empowerment as well as a postfeminist reaction to sexism and the rising number of sexual assaults against women when expectations for equality were high. A writer and musician, Marcus describes some of the major players on the scene, including individuals (Kathleen Hanna, Tobi Vail) and bands (Bikini Kill, Heavens to Betsy)—all set against the backdrop of the so-called postfeminist period. She tells colorful anecdotes (such as the origin of the title of Nirvana’s breakthrough single “Smells like Teen Spirit”). She describes the music scene in such important riot grrrl locations as the Pacific Northwest and Washington, D.C., and chronicles the rise of riot grrrl zines and riot grrrl conventions. In all, Marcus has done a commendable job of telling the little-known history of an important social and cultural movement. --June Sawyers
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