New York Times Bestseller
“Both deeper and more democratic than The Elements of Style” – Adam Haslett, Financial Times
“A guided tour through some of the most beautiful, arresting sentences in the English language.” – Slate
“Like a long periodic sentence, this book rumbles along, gathers steam, shifts gears, and packs a wallop.”
—Roy Blount Jr.
In this entertaining and erudite New York Times bestseller, beloved professor Stanley Fish offers both sentence craft and sentence pleasure. Drawing on a wide range of great writers, from Philip Roth to Antonin Scalia to Jane Austen, How to Write a Sentence is much more than a writing manual—it is a spirited love letter to the written word, and a key to understanding how great writing works.
"synopsis" may belong to another edition of this title.
Stanley Fish is a professor of law at Florida International University in Miami, and dean emeritus of the College of Liberal Arts and Sciences at the University of Illinois in Chicago. He has also taught at the University of California at Berkeley, Johns Hopkins University, and Duke University. He is the author of fourteen books, most recently Fugitive in Flight and Save the World on Your Own Time. He lives in Andes, New York, and New York City.
Some appreciate fine art; others appreciate fine wines. Stanley Fish appreciates fine sentences. The New York Times columnist and world-class professor has long been an aficionado of language. Like a seasoned sportscaster, Fish marvels at the adeptness of finely crafted sentences and breaks them down into digestible morsels, giving readers an instant play-by-play.
In this entertaining and erudite gem, Fish offers both sentence craft and sentence pleasure, skills invaluable to any writer (or reader). How to Write a Sentence is both a spirited love letter to the written word and a key to understanding how great writing works; it is a book that will stand the test of time.
A whole book on the lowly sentence? Stanley Fish, America's English Professor, confides that he belongs "to the tribe of sentence watchers," and shares his passion and learning through an array of examples from sentence-making masters, among them Milton, James, Dr. King, Sterne, Swift, Salinger, Elmore Leonard, Conrad, and Gertrude Stein. For Fish, language is logic. He stresses how the sentence, regardless of length-whether declarative or embroidered with qualifiers-is a structure of logical relationships. He discusses the all-important opening sentence and closing sentence, especially as the latter can be isolated from its dramatic context to convey full rhetorical effect. The reader is advised to begin with form; with practice, writers can develop three basics of style (subordinating, additive, satiric) that will allow them to make an emotional impact with their words. In the end, the craft of sentence writing is elevated to the very center of our inner lives. Fish plays the opinion card well, though a piling on of example after example, particularly of long sentences drawn from literature or theology, might leave more experienced sentence-makers to cry, "Enough already!"
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New York Times columnist and college professor Fish appreciates fine sentences the way some people appreciate fine wine. In 10 short chapters, Fish takes readers through a cogent analysis of how to craft a sentence. He talks about form, content, and style, always taking care to illustrate his points with an ample selection of judicously chosen quotations from virtuoso writers, from Milton and Shakepeare to Anton Scalia and Elmore Leonard. He then proceeds to drill down into the quotations, zeroing in on the tense, parts of speech, or precise phrasing that make the sentences sing. He also discusses famous first and last lines, always keeping in the forefront the extraordinary power of language to shape reality. And, befitting his subject matter, he does all this in the most luminous prose. He fluidly conveys the nitty-gritty details of crafting sentences, but, even more impressive, he communicates and instills in readers a deep appreciation for beautiful sentences that “do things the language you use every day would not have seemed capable of doing.” Language lovers will flock to this homage to great writing. --Joanne Wilkinson
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