We Are All in the Dumps with Jack and Guy: Two Nursery Rhymes with Pictures - Hardcover

Sendak, Maurice

Hardcover

ISBN 10: 0062050141 ISBN 13: 9780062050144

Publisher: HarperCollins, 1993

Synopsis

We are all in the dumps
For diamonds are thumps
The kittens are gone to St. Paul's!
The baby is bit
The moon's in a fit
And the houses are built
Without walls

Jack and Guy
Went out in the Rye
And they found a little boy
With one black eye
Come says Jack let's knock
Him on the head
No says Guy
Let's buy him some bread
You buy one loaf
And I'll buy two
And we'll bring him up
As other folk do

Two traditional rhymes from Mother Goose, ingeniously joined and interpreted by Maurice Sendak.

About this title

About the Author

Maurice Sendak’s books have sold over 50 million copies and have been translated into more than 40 languages. He received the 1964 Caldecott Medal for Where the Wild Things Are and is the creator of such classics as In the Night Kitchen, Outside Over There, Higglety Pigglety Pop!, and Nutshell Library. In 1970 he received the international Hans Christian Andersen Medal for Illustration, in 1983 he received the Laura Ingalls Wilder Award from the American Library Association, and in 1996 he received a National Medal of Arts in recognition of his contribution to the arts in America. In 2003 Sendak received the first Astrid Lindgren Memorial Award, an annual international prize for children’s literature established by the Swedish government.

From the Back Cover

We are all in the dumps
For diamonds are thumps
The kittens are gone to St. Paul's!
The baby is bit
The moon's in a fit
And the houses are built
Without walls

Jack and Guy
Went out in the Rye
And they found a little boy
With one black eye
Come says Jack let's knock
Him on the head
No says Guy
Let's buy him some bread
You buy one loaf
And I'll buy two
And we'll bring him up
As other folk do

Two traditional rhymes from Mother Goose, ingeniously joined and interpreted by Maurice Sendak.

Reviews

Grade 2 Up-Sendak is back, bolder than ever, as he looks out to the problems of today's world. He combines two little-known and unrelated nursery rhymes, taking advantage of their absence of story to interpret them with a wealth of detail and social commentary. In so doing, his visual images invite readers to become co-conspirators in the creation of the tale. From the dust jacket's ragged and newspaper-wrapped children, depicted within a monstrous mouth that readers will discover is the moon, to the very last page, one must search for clues to bring meaning to the enigmatic text. (Most are in the form of newspaper headlines). The homeless children and kittens are watched over by the moon, which seems to insist that the youngsters take care of one another. The moon itself is transformed into a giant cat to save the kittens and a baby from the rats who steal them. Unlike Max from Where the Wild Things Are (HarperCollins, 1988), however, their return is not to safety and a warm supper, but to the uncertainties of the street. Overall, the images refer to poverty, war, crime, pollution, famine, inflation, AIDS, unemployment, and other current evils. The illustrations themselves are not frightening, but they remind readers of horrific things in the real world. The somewhat muted and subdued palette is brightened with bursts of red sky and a stark white cat, which give an explosive energy to the story. The clarity of the art and of the composition of the pages are deceptively simple. The rhythms of the street, of rap music, are recognizable in the interplay between the rhymes and characters' ballooned comments. This is a potent, evocative book, but Sendak respects children's ability to deal with powerful and potentially controversial issues and ideas. We Are All in the Dumps will lead to discussion, speculation, and a variety of interpretations, all of which are appropriate for this type of allegory. This headline says it all: "Leaner Times, Meaner Times...Children Triumph."-Kay E. Vandergrift, School of Communication, Information and Library Studies, Rutgers University, New Brunswick, NJ
Copyright 1993 Reed Business Information, Inc.

Harking back to Hector Protector (1965), Sendak again pairs two nursery rhymes; but this time, he penetrates deeply into society's ills in his elaborate visual extension of the words. ``We are all in the dumps/For diamonds are trumps/The kittens are gone to St. Paul's/The baby is bit/The moon's in a fit/And the houses are built without walls.'' Sendak sets this first rhyme in New York, where homeless children are watched over by an increasingly agitated moon and where two wicked rats build a house of cards, play for the ``poor little kid'' (an appealing waif), and haul him, as well as the kittens, off to ``St. Paul's Bakery and Orphanage''--which resembles Auschwitz (glimpsed more subtly in Dear Mili). In the second part, Jack and Guy, who have earlier ignored the waif's pleas for help, follow after: ``Come says Jack/Let's knock him on the head/No says Guy/Let's buy him some bread...'' There's much more going on in the extraordinary art, including allusions visual (Trump Tower, a Cheshire cat moon that maternally enfolds the kittens) and verbal (in dialogue balloons and newsprint that also serves as shelter). Dear Mili's exquisitely detailed paintings give way here to the freely drawn, more immediate style of I Saw Esau (1992); but the subtle orchestration of Sendak's ideas has never been more intricate, telling, or playful. Adults may question presenting serious topics to children in this imaginative form. Lucky children have seen homelessness, and worse, only on TV; the unlucky have lived it. In this beautiful, passionately concerned book, Sendak creates visual poetry, rich in symbolism, that goes to the heart of such matters better than any earnest description. Once again, he explores new ground and offers a masterpiece. (Picture book. 4+) -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.

Edition details

• Publisher: HarperCollins
• Publication date: 1993
• Language: English
• ISBN 10: 0062050141
• ISBN 13: 9780062050144
• Binding: Hardcover
• Illustrator: Sendak Maurice
• Edition number: 1
• Number of pages: 56