More Scary Stories to Tell in the Dark (Scary Stories, 2) - Softcover

Schwartz, Alvin

4.11

18,794 ratings by Goodreads

9780062682857: More Scary Stories to Tell in the Dark (Scary Stories, 2)

Softcover

ISBN 10: 0062682857 ISBN 13: 9780062682857

Publisher: HarperCollins, 2017

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The iconic anthology series of horror tales that's now a feature film!

This is a new edition of the complete original book. Stephen Gammell’s artwork from the original More Scary Stories to Tell in the Dark appears in all its spooky glory. Read if you dare!

More Scary Stories to Tell in the Dark is a timeless collection of chillingly scary tales and legends, in which folklorist Alvin Schwartz offers up some of the most alarming tales of horror, dark revenge, and supernatural events of all time.

And don't miss Scary Stories to Tell in the Dark and Scary Stories 3!

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About the Author:

Alvin Schwartz is known for a body of work of more than two dozen books of folklore for young readers that explores everything from wordplay and humor to tales and legends of all kinds. His collections of scary stories—Scary Stories to Tell in the Dark, More Scary Stories to Tell in the Dark, Scary Stories 3, and two I Can Read books, In a Dark, Dark Room and Other Scary Stories and Ghosts!—are just one part of his matchless folklore collection.

Stephen Gammell is the illustrator of Scary Stories to Tell in the Dark, More Scary Stories to Tell in the Dark, and Scary Stories 3, as well as many other books. He won the Caldecott Medal for Song and Dance Man by Karen Ackerman. He also earned Caldecott Honors for Where the Buffaloes Begin by Olaf Baker and The Relatives Came by Cynthia Rylant.

From AudioFile:

Whether recounting a spine-tingling tale or singing a ghoulish song or describing a morbid game to play in the dark with friends, master storyteller George S. Irving is obviously enjoying himself. Together with requisite eerie music, creaking sound effects and ghostly moans, Irving's insane laugh, hysterical scream and command of a wide range of voices make this haunting, humorous and most importantly scary. Irving uses dramatic pauses effectively in his mesmerizing baritone or his deep bass. Geared toward preteens, this excellent mixture of stories showcases Irving's finesse both as a living being and . . . as a dead one. J.H.B. (c)AudioFile, Portland, Maine

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