Describes Nicholson's childhood in seaside New Jersey, his formative years as an actor and screenwriter in Hollywood, his almost accidental breakthrough, his work in such films as "Chinatown" and "One Flew Over the Cuckoo's Nest," and his private life
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Patrick McGilligan has edited the acclaimed Backstory series and written distinguished biographies of film figures including George Cukor, Fritz Lang, Alfred Hitchcock, and, most recently, Orson Welles. He lives in Milwaukee.
Long-awaited, first-class, admiring but unauthorized life of the most popular film actor since Brando--from the author of George Cukor (1991) and Robert Altman (1989). McGilligan could not get to Nicholson, or to many of his close friends, and so depended on those he could, on print interviews (Nicholson has been ``interviewed to death,'' says the author, who himself met or otherwise interviewed Nicholson several times for magazines), and on superior sleuthing in old court records, 1930's newspapers, phone books, and so on. He has undoubtedly turned up stuff about Nicholson's family even the actor didn't know, and Nicholson's veiled but tangled family life is one of Hollywood's knottiest. In 1974, a Time reporter researching a cover story on Nicholson (with Chinatown opening and The Fortune being filmed) unearthed the fact that the woman he thought was his mother was actually his grandmother and that his sister was his mother--a situation amazingly parallel to Chinatown's ``sister-mother'' theme. Nicholson had carefully built up an image of truthful acting and prided himself publicly that ``my family was always big into honesty....'' This revelation caused him many tears, especially since everyone who might have told him something about his mystery father was dead. A native of Asbury Park, Nicholson spent his first 11 years in TV and films as a ``younger leading man'' in duds such as The Cry Baby Killer and Roger Corman schlock epics before his breakthrough in Easy Rider. The still unmarried father of two recent children, Nicholson's constant adultery while professing otherwise to Anjelica Huston for 14 years adds much paprika to McGilligan's book. The thoughtful Nicholson rasp adds vividness to every page. -- Copyright ©1994, Kirkus Associates, LP. All rights reserved.
Born in New York City in 1937, Nicholson grew up in New Jersey under the "elaborate charade" that his grandmother was his mother and his mother was his sister--a fact that was not revealed to him until 1974. After moving to California he studied acting and found work in forgettable Roger Corman films and television. His big break came in 1969 when Bruce Dern turned down the role of George Hanson, a Southern lawyer in Easy Rider. Nicholson was cast in the part and the film became the counterculture hit of the year. There soon followed such films as Five Easy Pieces , Carnal Knowledge , Chinatown and One Flew Over the Cuckoo's Nest , for which he won an Academy Award. The author goes into seemingly every facet of Nicholson's life: the drugs (you name it, he's used it); his preoccupation with sex, which has kept him bedding the likes of Michelle Phillips, Anjelica Huston and Margaret Trudeau. There is plenty of behind-the-scenes material on the making of each Nicholson movie and insights into his characterizations. McGilligan ( George Cukor ) has captured Nicholson's intensity in this fact-filled biography , which will be especially appreciated by Nicholson's fans. Photos. Author tour.
Copyright 1994 Reed Business Information, Inc.
This unauthorized biography of one of the most compelling actors of our generation digs deep, especially given the fact many of Jack's confidantes wouldn't speak to the biographer. Nicholson's early life, shrouded in mystery (his teenaged mother gave young Jack to her mother to raise, and nobody ever told him) parallels in some ways the secretive plots of such Nicholson films as Chinatown, and his manic experiences with drug use in the 1960s and 1970s is reflected in his no-holds-barred Oscar-winning performance in One Flew over the Cuckoo's Nest. Following the tumultuous childhood years, McGilligan spends much time delving into Jack's formative acting years in the 1960s, when he made several low-budget films before breaking into stardom in Easy Rider and Five Easy Pieces. We meet many of Jack's film contemporaries, such as directors Bob Rafelson, John Huston, and Roman Polanski (Polanski's notorious arrest at Jack's house is chronicled here); wives and lovers such as Sandra Knight, Anjelica Huston, and current flame Rebecca Broussard; and various friends and hangers-on, but rarely do we get insights into other film actors because of Nicholson's domination in films (a notable exception is his supporting role in Terms of Endearment.) In all, Jack's Life is one of the most complete and enjoyable film biographies ever of a still-living actor. Joe Collins
McGilligan, who already has a well-regarded biography of George Cukor to his credit ( George Cukor: A Double Life , LJ 10/15/91), turns his eye to Nicholson in this first-rate biography of a complex character. Heavily researched and well written, this is an insightful and perceptive examination of Nicholson's life and art. Thankfully, McGilligan spares the reader any attempt at titilation, though he does raise some questions over the actual identity of Nicholson's biological father. The author concentrates on studying the circumstances and character of Nicholson. The volume includes an excellent filmography, and publication is timed to coincide with the 25th anniversary of the film Easy Rider and the actor's 40th year in show business. This will probably rank among the best film biographies of the year. Highly recommended for public and academic libraries.
- Marianne Cawley, Kingwood Branch Lib., Tex.
Copyright 1994 Reed Business Information, Inc.
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