Items related to Bayreuth
The operatic festival Richard Wagner founded at Bayreuth in 1876 is the oldest, most famous and most influential in the world. Its productions and musical standards have been a model for opera houses everywhere, and Bayreuth has become a place of pilgrimage for music lovers, and the ultimate objective for singers and conductors. The story of the festival is however not just about an opera house but about a family, a society and an art form. The creation of a fervent German chauvinist, Bayreuth came to epitomize the tortured development of the German nation after unification in 1871. The festival became a citadel of racism and reaction, and the cultural showpiece of the Third Reich and Hitler's artistic centre. Here for the first time is a full-scale, serious, narrative account of the festival, based on wide-ranging research and interviews, which explains the political, managerial, social and artistic context of the Festival. It provides candid, sharply-etched portraits of the members of the Wagner family, their friends, enemies and critics, and of the controversy that has characterised it for over a century.
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From the Back Cover:
In this prize-winning and generously-illustrated book--the first to provide a frank and fully rounded history of Bayreuth-Frederic Spotts describes the festival's performances and productions, the Wagner family who have run it, its debasement in 'Hitler's court theater, ' and its postwar liberation from its chauvinistic, anti-Semitic past. Provocative and compelling, the book will fascinate all Wagner enthusiasts as well as those interested in European cultural and intellectual history since 1876.
From Publishers Weekly:
Stressing that "Bayreuth demands seriousness" of attendees--the author himself has attended every year since 1955--Spotts, who had the cooperation of the Richard Wagner-Gedenkstatte at Bayreuth, here presents a study of due seriousness, a knowing, engrossing, opinionated overview of the shrine that Wagner established to himself in 1876. The material on the founding of the Festival, and on Cosima Wagner's management of Bayreuth from 1883--following her husband Richard's death--to 1906 is familiar, although no less involving for that, as is the contemporary information. But Spotts's research into the Nazification of the Festival and the Winifred Wagner-Hitler friendship makes this a seminal study for a new generation. Because, as the author notes, Wagnerian opera was perceived among Germans as an extension of nationalism, the composer became Messiah and Bayreuth the last bulwark of true German values. Spotts reviews Winifred Wagner's administration of the Festival after the death in 1930 of her husband Siegfried (Cosima died that year as well), the composer's son, who, in 1915 at age 45, married the 17-year-old German-bred British orphan out of fear that his homosexuality would be exposed. Hitler and his devoted Winifred kept Bayreuth functioning throughout WW II, with the Fuhrer underwriting expenses for his War Festivals; annually he rewarded up to 30,000 of his troops and war workers with free attendance to Bayreuth. Spotts, a former member of the American Foreign Service, also tracks the uncertain fate of Bayreuth under the Allies, until the Festival reverted to the Wagner family in 1950, dual control passing to Winifred and Siegfried's sons Wieland and Wolfgang. It took Wieland's genius to de-Nazify Bayreuth and make it a vital Festival, shows Spotts, who is critical of Wolfgang's management after his brother's death in 1966. If Bayreuth is, as the author argues, a simulacrum of the German nation, it is no less so for devotees of Wagner. The Nazi connection is known at least in outline to younger Wagnerites but is little discussed. Spotts does the music world a service by confronting that legacy. Photos not seen by PW .
Copyright 1994 Reed Business Information, Inc.
Copyright 1994 Reed Business Information, Inc.
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- PublisherHutchinson
- ISBN 10 0091776325
- ISBN 13 9780091776329
- BindingHardcover
- Number of pages288
- Rating
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