About the Author:
SEBASTIAN FAULKS's books include the bestsellers A Possible Life, A Week in December, Human Traces, On Green Dolphin Street, Charlotte Gray and Birdsong. In his acclaimed 2011 book Faulks on Fiction which accompanied his series for BBC Two, Sebastian Faulks wrote, "If I were to be quite honest, I suppose I would have to admit that a scene in The Mating Season is probably my favourite in the whole canon of English literature." As a lifelong fan of P.G. Wodehouse, he was delighted to be asked by the Wodehouse Estate to write a new novel using the immortal characters of Jeeves and Wooster.
P.G. WODEHOUSE wrote more than ninety novels and some three hundred short stories over 73 years. Perhaps best known for the escapades of Bertie Wooster and Jeeves, Wodehouse also created the world of Blandings Castle, home to Lord Emsworth and his cherished pig, the Empress of Blandings. His stories include gems concerning the irrepressible and disreputable Ukridge; Psmith, the elegant socialist; the ever-so-slightly-unscrupulous Fifth Earl of Ickenham, better known as Uncle Fred; and those related by Mr Mulliner, the charming raconteur of The Angler's Rest, and the Oldest Member at the Golf Club. In 1936 he was awarded The Mark Twain Medal for 'having made an outstanding and lasting contribution to the happiness of the world'. He was made a Doctor of Letters by Oxford University in 1939 and in 1975, aged 93, he was knighted by Queen Elizabeth II. He died shortly afterwards, on St Valentine's Day.
From Booklist:
*Starred Review* What, ho?! This blighter Faulks, after making a reasonably good show of posing as Ian Fleming (Devil May Care, 2009), has the unmitigated gall to take a run at impersonating the inimitable P. G., the very incarnation of sui generis? Doesn’t he know that Wodehouseans far and wide, well born and less so, will be sharpening their incisors for the chance to take a chomp at the hindquarters of the cheeky upstart? But wait. Hold off, old sports. Young Faulksie just may have the gray matter to make a go of it. The first order of business when attempting to offer homage to Sir Pelham Grenville is to construct a plot as screwball crazy as anything Shakespeare ever concocted in the Forest of Arden (disguises, mistaken identities, catastrophic kerfuffles all de rigueur); next is to plop bumbling aristocrat Bertie Wooster in the middle of the muddle; and, finally, of course, it’s necessary to set Bertie’s unflappable manservant, the all-knowing Jeeves, to the herculean task of making it all work. Faulksie’s plot is spot on: Bertie’s pal, Peregrine Woody Beeching, has been dumped by his beloved, but Bertie is on the case. The plan, for reasons only a savvy Hegelian could fathom, involves Bertie posing as a manservant and Jeeves as his master. Brilliant stroke, that, allowing Jeeves to show his stuff at dinner-table chitchat and Bertie to, well, spill the gravy. Naturally, it all takes place at a country house (Wodehouse’s Forest of Arden), and, equally naturally, Miss Georgiana Meadowes, who makes Bertie’s heart go pitty-pat, is also in attendance. OK, fine, this P. G. poseur gets the plot right, but what about the all-important patter, the Bertie-isms and the priceless Bertie-Jeeves dialogue duets? But Faulksie nails it again, evoking rather than imitating, but doing so in perfect pitch. Finally, old-timers will doubtless recoil in horror at the shocking conclusion, but let’s all loosen our stuffed shirts and let the new guy have his way. Top drawer. HIGH-DEMAND BACKSTORY: Expect major media attention for the return of Bertie and Jeeves. --Bill Ott
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