Human Stain - Softcover

Book 3 of 3: American Trilogy

Roth, Philip

  • 3.92 out of 5 stars
    46,034 ratings by Goodreads
 
9780099282198: Human Stain

Synopsis

''An extraordinary book - bursting with rage, humming with ideas, full of dazzling sleights of hand''- Sunday Telegraph

Philip Roth''s brilliant conclusion to his eloquent trilogy of post-war America - a magnificent successor to American Pastoral and I Married a Communist


It is 1998, the year America is plunged into a frenzy of prurience by the impeachment of a president, and in a small New England town a distinguished classics professor, Coleman Silk, is forced to retire when his colleagues allege that he is a racist. The charge is unfounded, the persecution needless, but the truth about Silk would astonish even his most virulent accuser.

Coleman Silk has a secret, one which has been kept for fifty years from his wife, his four children, his colleagues, and his friends, including the writer Nathan Zuckerman.

It is Zuckerman who comes upon Silk''s secret, and sets out to unearth his former buried life, piecing the biographical fragments back together. This is against backdrop of seismic shifts in American history, which take on real, human urgency as Zuckerman discovers more and more about Silk''s past and his futile search for renewal and regeneration.
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PRAISE FOR THE HUMAN STAIN:
''One of the most beautiful books I''ve ever read'' Red
''[A] tender, shocking and incendiary story on the failure of the American dream refracted through the prism of race'' Guardian
''A masterpiece'' Mail on Sunday

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Review

Athena College was snoozing complacently in the Berkshires until Coleman Silk--formerly "Silky Silk," undefeated welterweight pro boxer--strode in and shook the place awake. This faculty dean sacked the deadwood, made lots of hot new hires, including Yale-spawned literary-theory wunderkind Delphine Roux, and pissed off so many people for so many decades that now, in 1998, they've all turned on him. Silk's character assassination is partly owing to what the novel's narrator, Nathan Zuckerman, calls "the Devil of the Little Place--the gossip, the jealousy, the acrimony, the boredom, the lies."

But shocking, intensely dramatized events precipitate Silk's crisis. He remarks of two students who never showed up for class, "Do they exist or are they spooks?" They turn out to be black, and lodge a bogus charge of racism exploited by his enemies. Then, at 71, Viagra catapults Silk into "the perpetual state of emergency that is sexual intoxication," and he ignites an affair with an illiterate janitor, Faunia Farley, 34. She's got a sharp sensibility, "the laugh of a barmaid who keeps a baseball bat at her feet in case of trouble," and a melancholy voluptuousness. "I'm back in the tornado," Silk exults. His campus persecutors burn him for it--and his main betrayer is Delphine Roux.

In a short space, it's tough to convey the gale-force quality of Silk's rants, or the odd effect of Zuckerman's narration, alternately retrospective and torrentially in the moment. The flashbacks to Silk's youth in New Jersey are just as important as his turbulent forced retirement, because it turns out that for his entire adult life, Silk has been covering up the fact that he is a black man. (If this seems implausible, consider that the famous New York Times book critic Anatole Broyard did the same thing.) Young Silk rejects both the racism that bars him from Woolworth's counter and the Negro solidarity of Howard University. "Neither the they of Woolworth's nor the we of Howard" is for Coleman Silk. "Instead the raw I with all its agility. Self-discovery--that was the punch to the labonz.... Self-knowledge but concealed. What is as powerful as that?"

Silk's contradictions power a great Philip Roth novel, but he's not the only character who packs a punch. Faunia, brutally abused by her Vietnam vet husband (a sketchy guy who seems to have wandered in from a lesser Russell Banks novel), scarred by the death of her kids, is one of Roth's best female characters ever. The self-serving Delphine Roux is intriguingly (and convincingly) nutty, and any number of minor characters pop in, mouth off, kick ass, and vanish, leaving a vivid sense of human passion and perversity behind. You might call it a stain. --Tim Appelo

From the Back Cover

"In American literature today, there's Philip Roth, and then there's everybody else." —Chicago Tribune

“By turns unnerving, hilarious, and sad.... It is a book that shows how the public zeitgeist can shape, even destroy, an individual’s life.... Not only a philosophic bookend to American Pastoral but a large and stirring book as well.”–Michiko Kakutani, The New York Times

"Philip Roth's The Human Stain is the best novel he has written—not to devalue the past. Here, everything the writer has learnt and experienced within that indefinable form we call the novel, the impact of society on himself and the people around him, world contemporary mores, beliefs, prejudices, have come to full realization." —Nadine Gordimer, The Times Literary Supplement (International Book of the Year Selection)

"A master novelist's haunting parable about our troubled modern moment." —Sam Tanenhaus, The Wall Street Journal

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