Rilke's prayerful responses to the french master's beseeching art
For a long time nothing, and then suddenly one has the right eyes.
Virtually every day in the fall of 1907, Rainer Maria Rilke returned to a Paris gallery to view a Cezanne exhibition. Nearly as frequently, he wrote dense and joyful letters to his wife, Clara Westhoff, expressing his dismay before the paintings and his ensuing revelations about art and life.
Rilke was knowledgeable about art and had even published monographs, including a famous study of Rodin that inspired his New Poems. But Cezanne's impact on him could not be conveyed in a traditional essay. Rilke's sense of kinship with Cezanne provides a powerful and prescient undercurrent in these letters -- passages from them appear verbatim in Rilke's great modernist novel, The Notebooks of Malte Laurids Brigge. Letters on Cezanne is a collection of meaningfully private responses to a radically new art.
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Rainer Maria Rilke was born in Prague in 1875 and traveled throughout Europe for much of his adult life, returning frequently to Paris. There he came under the influence of the sculptor Auguste Rodin and produced much of his finest verse, most notably the two volumes of New Poems as well as the great modernist novel The Notebooks of Malte Laurids Brigge. Among his other books of poems are The Book of Images and The Book of Hours. He lived the last years of his life in Switzerland, where he completed his two poetic masterworks, the Duino Elegies and Sonnets to Orpheus. He died of leukemia in December 1926.
Joel Agee has also translated Elias Canetti, Friedrich Dürenmatt, Gottfried Benn, and another collection of Rilke's letters, Rilke and Benvenuta: An Intimate Correspondence. He won the Helen and Kurt Wolff Translator's Prize for his translation of Heinrich von Kleist's Penthesilea, a verse play. He is the author of Twelve Years: An American Boyhood in East Germany and lives in Brooklyn.
These letters to his wife were written by Rilke on a sojourn to Paris in 1907, where he found himself drawn to the Grand Palais every day to see a posthumous exhibit of Cezanne's paintings, staged one year after the French painter's death. Many of the letters are included in day-by-day succession, as Rilke outlines his deep affinity to Cezanne, as well as to van Gogh, in exquisite detail. Agee succeeds in capturing Rilke's instinct for language; we see the painters through Rilke's eyes as dedicated and committed to making paintings that stretch the viewer's imagination and capacity for devotion. This slender volume lacks illustrations, which would have been useful. Some of these letters appeared in Rilke's later masterwork, The Notebooks of Malte Laurids Brigge (first published in English in 1952). Saying as much about Rilke as it does about Cezanne, this new volume is particularly suited to literature collections containing other works by Rilke and may be of interest in art schools and public libraries where there is an interest in Cezanne and van Gogh.
Ellen Bates, New York
Copyright 2002 Reed Business Information, Inc.
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Book Description Vintage, 1991. Book Condition: Good. New Ed. N/A. Ships from the UK. Former Library book. Shows some signs of wear, and may have some markings on the inside. Bookseller Inventory # GRP95566527
Book Description Paperback. Book Condition: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine. Bookseller Inventory # GOR002000927
Book Description Paperback. Book Condition: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration. Bookseller Inventory # GOR004505716