Best known for cheeky conceptual works—like his signed urinals ("R. Mutt") and his graffitioed Mona Lisa—Marcel Duchamp (1887–1968) was also an extraordinary painter and sculptor (Nude Descending a Staircase) who changed the language of twentieth-century art and reigns with Picasso and Matisse as one of its greatest influences. Joseph Masheck has compiled a sampler of the best writing on Duchamp, with pieces that include Duchamp's obituary from Artforum, written by Jasper Johns; Octavio Paz on the ready-mades; a Duchamp post-mortem by Hans Richter; Donald Judd's investigation of Rrose Sélavy; a "Counter-Avant-Garde" by Clement Greenberg; a consideration by Guillaume Apollinaire; and John Cage's "26 Statements on Marcel Duchamp." Illustrated with photographs of Duchamp's seminal pieces, and updated with a substantial preface that offers new scholarship as well as a fascinating consideration of why Duchamp's popularity has exponentially increased since this book first appeared, this is an essential volume for the Duchamp devotee.
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Joseph Masheck has served as editor-in-chief of Artforum, contributing editor of Art in America, and as a professor of art history at Barnard, Harvard, and Hofstra. An artist himself, and the author of many books (among them Van Gogh 100, Building-Art, and Modernities), he lives in New York City.
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Destination, rates & speedsSeller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Seller Inventory # 288901-20
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Condition: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pen & pencil markings. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:013556316X. Seller Inventory # 3703772
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Hardcover. Condition: Very Good. 1st. Pictorial boards, 184 pages, illustrations; 24 cm. Firm binding, clean inside copy. Light shelfwear to boards, age toning. *** CONTENTS: Introduction. Chance is zee fool s name for fait; Joseph Masheck; PT. 1. THE WHOLE. Duchamp; Guillaume Apollinaire; Marcel Duchamp and the Futurists; Leon Kochnitzky; Marcel Duchamp, anti-artist; Harriet and Sidney Janis; Reflexions on Marcel Duchamp; William Rubin; Marcel Duchamp and emblematic realism; Werner Hofmann; Statements re Duchamp; John Cage; PT. 2. ONE THING AT A TIME. Buddha of the bathroom; Louise Norton; In advance of whose broken arm?; George Heard Hamilton; Natural art and cultural art: a conversation with Claude L vi-Strauss; Georges Charbonnier; The ready-made; Octavio Paz; Dimension and development in The passage from the virgin to the bride; Lawrence D. Steefel, Jr.; Duchamp s glass, La mari e mise nu par ses c libataires, m me; Katherine S. Dreier and Matta Echaurren; The green box; Jasper Johns; The new piece; William Copley; PT. 3. RESERVATIONS. J accuse Marcel Duchamp; Thomas B. Hess; Marcel Duchamp and/or Rrose S lavy; Donald Judd; Counter-avant-garde; Clement Greenberg; Robert Smithson on Duchamp, an interview; Moira Roth; PT. 4. THE LEGACY. Johns and Duchamp; Max Kozloff; Marcel Duchamp (1887-1968); Jasper Johns; In memory of Marcel Duchamp; Hans Richter; John Cage on Marcel Duchamp: an interview; Moira and William Roth; Theater of the conceptual: autobiography and myth; Robert Pincus-Witten.Chronology. Size: 8vo. Seller Inventory # 087075
Quantity: 1 available