“Read every page of this book; better still, re-read them. The invocation means no hardship, since every true reader must surely be captivated by Rushdie’s masterful invention and ease, the flow of wit and insight and passion. How literature of the highest order can serve the interests of our common humanity is freshly illustrated here: a defence of his past, a promise for the future, and a surrender to nobody or nothing whatever except his own all-powerful imagination.”-Michael Foot, Observer
Salman Rushdie’s Imaginary Homelands is an important record of one writer’s intellectual and personal odyssey. The seventy essays collected here, written over the last ten years, cover an astonishing range of subjects –the literature of the received masters and of Rushdie’s contemporaries; the politics of colonialism and the ironies of culture; film, politicians, the Labour Party, religious fundamentalism in America, racial prejudice; and the preciousness of the imagination and of free expression. For this paperback edition, the author has written a new essay to mark the third anniversary of the fatwa.
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Born in Bombay in 1947, Salman Rushdie is the author of six novels, including Grimus, Shame, The Satanic Verses, The Moor's Last Sigh, and The Ground Beneath Her Feet, and a volume of essays, Imaginary Homelands. His numerous literary prizes include the Booker Prize for Midnight's Children and the Whitbread Prize for The Satanic Verses.
Rushdie calls his controversial novel The Satanic Verses "a migrant's-eye view of the world," and indeed the theme of cultural transplantation informs many of the 75 essays and reviews gathered in this impressive collection. Whether he is analyzing racial prejudice in Britain or surveying an India riven by fundamentalism and politics of religious hatred, he writes as an impartial observer, a citizen of the world. Subtle and witty, these concise, eloquent pieces are a pleasure to read. Rushdie's wide-ranging sympathies range from Grace Paley's stories to Thomas Pynchon's political allegories. He situates such writers as Gunter Grass, John le Carre and Mario Vargas Llosa in a political context. Along with a devastating review of the movie Gandhi and a withering portrayal of Margaret Thatcher's class-ridden, jingoist Britain, there are two resounding replies (both written last year) to critics of The Satanic Verses : Rushdie explains the book's intentions and defends the freedom of the writer.
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