Robert Browning, a towering poetic presence of the Victorian era, was hailed by Henry James as a tremendous and incomparable modern. The sheer immediacy and colloquial energy of his poetry ensure enduring appeal. Browning paints landscapes both suburban and sublime, combines lyric and demotic language, and introduces everyday events of the streets and marketplace into the rarified world of Victorian poetry.
This edition includes examples from the early Dramatic Lyrics (1842) and Dramatic Romances and Lyrics (1845); from the masterpieces Mena and Women (1855) and Dramatis Personae (1864), and from the less familiar works of his later years. Together they convey the intensity, the lyric beauty, and the vitality of Browning's poetry.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
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Robert Browning (1812-1889) attended the newly founded University of London for a year before travelling widely on the Continent in the 1830s and 1840s. After a clandestine courtship, he married Elizabeth Barrett in 1846 and they lived in Italy until her death in 1861. He is one of the most significant and inventive of Victorian poets.
Daniel Karlin is a professor of English at University College, London. He has edited The Penguin Book of Victorian Verse.
Thinking of the poems of Browning, one imagines Mediterranean lushness, sensuous music without rival. At first hearing, therefore, Frederick Davidson's voice--austere, clipped, world-weary--seems inappropriate, that is, until one hears how he carves the verse with his voice. Instead of producing the anticipated melodies, he delivers sound in slabs with ironic angles. Davidson's renderings are marvelous and unexpected. The recording doesn't list its contents. Besides making it difficult for a listener to locate favorite poems, this oversight conceals the absence of significant poems. J.F.P. (c)AudioFile, Portland, Maine
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