‘There was nothing weak about Miss Olive, she was a fighting woman, and she would fight him to the death’
Basil Ransom, an attractive young Mississippi lawyer, is on a visit to his cousin Olive, a wealthy feminist, in Boston when he accompanies her to a meeting on the subject of women’s emancipation. One of the speakers is Verena Tarrant, and although he disapproves of all she claims to stand for, Basil is immediately captivated by her and sets about ‘reforming’ her with his traditional views. But Olive has already made Verena her protégée, and soon a battle is under way for exclusive possession of her heart and mind. The Bostonians is one of James’s most provocative and astute portrayals of a world caught between old values and the lure of progress.
Richard Lansdown’s introduction discusses The Bostonians as James’s most successful political work and his funniest novel. This edition contains extracts from Tocqueville and from James’s ‘The American Scene’, which illuminate the novel’s social context. There are also notes and a bibliography.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
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This brilliant satire of the women's rights movement in America is the story of the ravishing inspirational speaker Verena Tarrant and the bitter struggle between two distant cousins who seek to control her. Will the privileged Boston feminist Olive Chancellor succeed in turning her beloved ward into a celebrated activist and lifetime companion? Or will Basil Ransom, a conservative southern lawyer, steal Verena's heart and remove her from the limelight?
""The Bostonians has a vigor and blithe wit found nowhere else in James," writes A. S. Byatt in her Introduction. "It is about idealism in a democracy that is still recovering from a civil war bitterly fought for social ideals . . . [written] with a ferocious, precise, detailed--and wildly comic--realism."
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