Adam
The Belly
Black Girl Vanishing: Detroit, 1970
The Body's Curse
The Body's Hope
The Body's Journey
The Body's Joy
The Body's Repose And Discontent
The Body's Strength
The Body's Weight
Boneyard
Brink
Canto Hondo
Careers
Cezanne And The Love Of Color
Cezanne And Zola
Cezanne's A Modern Olympia--1872
Cezanne's Ambition
Cezanne's Anger
Cezanne's Coldness
Cezanne's Doubts
Cezanne's Failure
Cezanne's Fortress
Cezanne's Love Of Poetry
Cezanne's Montagne Sainte-victoire
Cezanne's Outrageousness
Cezanne's Portraits
Cezanne's Seclusion
Cezanne's Success
The Children
Confession
The Day The World Ends
Delicious Monstrosity
Desire
The Double
Echoes
Expansion Slots
Eyelids
Feet
Fingernails
Folk Tales
Freight Cars
The Future
Hospital Waiting Room
How Could You Ever Be Fine?
How It Was At The End
How You Are Linked
In A Row
Inappropriate Gestures
Invasions
Laughter
Long Story
March Morning
Morning News
The Music One Looks Back On
No Map
Noses
The Proof
Receivers Of The World's Attention
Rootless
Shaving
Shrill
Skeleton
Slipping Away
Spleen
Summer Evenings
Surprise
Sweat
Thoughts At Thirty-thousand Feet
Tongue
Toting It Up
Traffic
Utopian Melodies
Walls To Put Up, Walls To Take Down
What You Should Have Thought About Earlier
-- Table of Poems from Poem Finder®
With one eye on "the single door through which we all must exit," poet and novelist Dobyns ( Cemetery Nights ) addresses the body and its parts in discursive, sometimes exhortatory tones, as in "Eyelids," which ends, "This is the world to love. There is no other." In these not especially sensuous poems, direct, forceful images are striking: "her belly a velvet lake beneath / one's hands" in "The Body's Joy"; when the subject of "Desire" is stirred, "fat possibility swaggers into the world like a big spender entering a bar." Dobyns's imposing strengths are revealed in the longer poems where, mining single moments--the fleeting sight of another driver in "Traffic"; a view of senile nuns in a rest home in "Careers"; a daily ritual with his toddler daughter in "Shaving"--he deftly manages complex intellectual progressions with no loss of either immediacy or persuasiveness. A series of sonnets on Cezanne is interspersed, but Dobyns is best at explicating his vision of our bumper-to-bumper move toward death, in which we are at once frustrated and saved by the company of others.
Copyright 1990 Reed Business Information, Inc.
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