“Wildly imaginative.”—The New York Times
“Adamsberg is a terrific creation and his team of misfits a joy to watch in action.”—Peter Robinson, New York Times bestselling author of the Inspector Banks series
When blue chalk circles begin to appear on the pavement in neighborhoods around Paris, Commissaire Adamsberg is alone in thinking that they are far from amusing. As he studies each new circle and the increasingly bizarre objects they contain - empty beer cans, four trombones, a pigeon's foot, a doll's head - he senses the cruelty that lies within whoever is responsible. And when a circle is discovered with decidedly less banal contents - a woman with her throat slashed - Adamsberg knows that this is just the beginning.
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Fred Vargas is a French medieval historian and archaeologist who has a parallel career as a bestselling crime novelist. She adopted the pseudonym from her twin sister, an artist who works as Jo Vargas—after Ava Gardner’s character in The Barefoot Contessa. She has published ten mysteries, five of which feature Commissaire Adamsberg. Her detective fiction is published in 32 languages.
Fans of Commissaire Jean-Baptiste Adamsberg, the sleuth who doesn't do deductive reasoning, will welcome the first in Vargas's inspired crime series (This Night's Foul Work; Wash This Blood Clean from My Hand), originally published in France in 1990. Newly transferred from his home in the Pyrenees to Paris, the 45-year-old Adamsberg arrives with a reputation for solving big cases, though his diffident manner doesn't impress his colleague and foil, Adrien Danglard. A solitary man drawing blue chalk circles at night around stray objects in Paris streets manages to create a media sensation, but Adamsberg senses evil behind the act. When the corpse of a woman is found encircled in chalk, he's proven right. Adamsberg's indirect approach, his ability to sense cruelty and to let solutions percolate to the surface make him one of the more intriguing police detectives in a long time. (July)
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When European mystery authors make their way to the U.S., it often happens that their books are published out of order. So it is with this sixth Commissaire Adamsberg novel to appear here, which, in fact, is the series debut. Newly promoted from the provinces to a post in Paris, the Maigret-like Adamsberg—whose intuitive sleuthing combines the “belief of a child and the philosophy of an old man”—quickly overcomes the doubts of his colleagues and homes in on the seemingly insignificant phenomenon of chalk circles being drawn at random points around the city, each circle enclosing a piece of urban detritus (a Coke can, a single shoe). Adamsberg senses that the circles will soon surround dead bodies, and so they do. In addition to introducing her hero, Vargas also provides backstory on a host of other ongoing series characters, including the white-wine-swilling Inspector Danglard, whose logical mind is continually tested by his new boss’ belief in instinct. Later installments ramp up the contrast between Vargas’ comic touch and her dark themes, but as a stage-setter, this one is required reading for series devotees. --Bill Ott
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