“You either love Andrea Camilleri or you haven’t read him yet. Each novel in this wholly addictive, entirely magical series, set in Sicily and starring a detective unlike any other in crime fiction, blasts the brain like a shot of pure oxygen. Aglow with local color, packed with flint-dry wit, as fresh and clean as Mediterranean seafood — altogether transporting. Long live Camilleri, and long live Montalbano.” A.J. Finn, #1 New York Times bestselling author of The Woman in the Window
Inspector Salvatore Montalbano wakes from strange dreams to find a gruesomely bludgeoned horse carcass in front of his seaside home. When his men came to investigate, the carcass has disappeared, leaving only a trail in the sand. Then his home is ransacked and the inspector is certain that the crimes are linked. As he negotiates both the glittering underworld of horseracing and the Mafia's connection to it, Montalbano is aided by his illiterate housekeeper, Adelina, and a Proustian memory of linguate fritte. Longtime fans and new readers alike will be charmed by Montalbano's blend of unorthodox methods, melancholy self-reflection, and love of good food.
"synopsis" may belong to another edition of this title.
Andrea Camilleri is the bestselling author of the popular Inspector Montalbano Mystery series, as well as a number of historical novels that take place in Sicily. He lives in Italy.
Stephen Sartarelli is an award-winning translator and poet who lives in France.
Life-loving, pasta-inhaling Inspector Salvo Montalbano, the embattled Sicilian policeman, has much to worry about, from his growing bald spot to his ever-tottering relationship with the demanding Livia to the steadily more vicious crime he must confront, but even he is surprised to see a dead horse on the sand when he looks out his window one morning (admittedly, he had been dreaming about horses, though the horse he was riding was a woman). From this peculiar equine beginning, Montalbano soon finds himself embroiled in a puzzling case that involves horse stealing, race fixing, and murder. Along the way, of course, there is plenty of time for lunch, though Montalbano’s ability to concentrate on his food is impeded by two women who seem more than willing to fill the gap created by Livia’s absence. This series is distinguished by Camilleri’s remarkable feel for tragicomedy, expertly mixing light and dark in the course of producing novels that are both comforting and disturbing. Here he leans a bit more toward the light side, but fans won’t mind a little extra comfort one bit. --Bill Ott
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