Instant New York Times Bestseller
“Unimpeachably terrific.” —The New York Times Book Review
For fans of Ruth Ware, Shari Lapena, and Donna Tartt: a twisty, fast-paced, cinematic literary thriller, and an ingenious book within a book, by the #1 internationally bestselling author of The Enigma of Room 622
Marcus Goldman is riding high. The twenty-eight-year-old writer is the new darling of American letters, whose debut novel has sold two million copies. But when it comes time to produce a new book, he is sidelined by a crippling case of writer’s block. He travels to Somerset, New Hamprshire, to see his mentor, Harry Quebert, one of the country’s most respected writers, hoping to jar his creative juices as his publisher’s deadline looms. But Marcus’s plans are upended when Harry is sensationally implicated in a cold-case murder: Fifteen-year-old Nola Kellergan went missing in 1975, and Harry admits to having had an affair with her. Following a trail of clues through the backwoods and isolated beaches of New Hampshire, Marcus must answer two questions, which are mysteriously connected: Who killed Nola Kellergan? And how do you write a book to save someone’s life?
Translated from the French by Sam Taylor
Named a Best Book of the Summer by CBS This Morning, Us Weekly, The Hollywood Reporter, Minneapolis Star Tribune, Parade, Houston Chronicle, New York Post, Tampa Bay Times, Milwaukee Journal Sentinel, and The Daily Beast
Now a 10-part TV series on EPIX, starring Patrick Dempsey, Ben Schnetzer, Damon Wayans Jr., and Virginia Madsen
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Joel Dicker was born in 1985 in Geneva, Switzerland, where he later studied law. He spent childhood summers in New England, particularly in Stonington and Bar Harbor, Maine. The Truth About the Harry Quebert Affair won three French literary prizes, including the Grand Prix du Roman from the Académie Française, and was a finalist for the Prix Goncourt. It has sold more than two million copies across Europe. Dicker lives in Geneva.
Sam Taylor (translator) is a novelist and journalist who has lived in France for more than a decade. His first literary translation was Laurence Binet's HHhH, which was longlisted for the Independent Foreign Fiction Prize.
This best-selling, award-winning, French literary thriller from a 28-year-old Swiss author has arrived in the U.S. with fanfare not heard since The Girl with the Dragon Tattoo. So what is all the fuss about? That’s puzzling. Jumping back and forth in time from 1975 to 2008, the novel is narrated by Marcus Goldman, a twentysomething writer whose first book was a smashing success but who is suffering from writer’s block at the prospect of penning a follow-up. He travels to rural New Hampshire to visit his former professor and mentor, Harry Quebert, whose first novel was also a best-seller and brought him instant celebrity. But in the midst of the reunion, the body of a 15-year-old girl is discovered on Quebert’s property and Quebert is arrested for murder. Goldman sets out to prove his mentor innocent, and in the process he writes his long-delayed second book, The Truth about the Harry Quebert Affair, which becomes even more successful than his first. With a plethora of suspects, readers are certain to be caught up in the drama—by the the time the book ends, nearly every major character in the story has taken a turn as the likely killer. Beyond the whodunit aspect, however, readers may find themselves shaking their heads at the almost cartoonish characterizations and soap-operatic dialogue. The real mystery here is why we keep reading—but, for some reason, we do. --Bill Ott
***This excerpt is from an advance uncorrected proof.***
Copyright © 2014 by Joel Dicker
“Jesus, Marc, have you heard?”
“Heard what?”
“My God, turn on the T V! It’s about Harry Quebert! It’s Quebert!”
I put on the news. To my amazement I saw the house at Goose Cove on the screen and heard the presenter say: “It was here, in his home in Somerset, New Hampshire, that author Harry Quebert was arrested today after police discovered human remains on his property. Initial inquiries suggest this may be the body of Nola Kellergan, a local girl who at the age of fifteen disappeared from her house in August 1975 and has never been seen since.” The room began spinning around me, and I collapsed onto the couch in a daze. I couldn’t hear anything clearly anymore—not the TV, nor Douglas, at the other end of the line, bellowing, “Marcus? Are you there? Hello? He killed a girl? Quebert killed a girl?” In my head, everything blurred together like a bad dream.
So it was that I found out, at the same time as a stupefied America, what had happened a few hours earlier: That morning a landscaping company had arrived at Goose Cove, at Harry’s request, to plant hydrangea bushes. When they dug up the earth, the gardeners found human bones buried three feet deep and had immediately informed the police. A whole skeleton had quickly been uncovered, and Harry had been arrested.
On TV screen they cut between live broadcasts from Somerset and from Concord, sixty miles northwest, where Harry was in police custody. Apparently a clue found close to the body strongly suggested that here were the remains of Nola Kellergan; a police spokesman had already indicated that if this information was confirmed, Harry Quebert would also be named as a suspect in the murder of one Deborah Cooper, the last person to have seen Nola alive on August 30, 1975. Cooper had been found murdered the same day, after calling the police. It was appalling. The rumble grew ever louder as the news crossed the country in real time, relayed by television, radio, the Internet, and social networks: Harry Quebert, sixty-seven, one of the greatest authors of the second half of the twentieth century, was a child predator.
It took me a long time to realize what was happening. Several hours, perhaps. At 8 p.m., when a worried Douglas came by to see how I was holding up, I was still convinced that the whole thing was a mistake.
“How can they accuse him of two murders when they’re not even sure it’s the body of this Nola?” I said.
“Well, there was a corpse buried in his yard, however you look at it.”
“But why would he have brought people in to dig up the place where he’d supposedly buried a body? It makes no sense! I have to go there.”
“Go where?”
“New Hampshire. I have to defend Harry.”
Douglas replied with that down-to-earth Midwestern sobriety: “Absolutely not, Marcus. Don’t go there. You don’t want to get involved in this mess.”
“Harry called me . . .”
“When? Today?”
“About one this afternoon. I must have been the one telephone call he was allowed. I have to go there and support him! It’s very important.”
“Important? What’s important is your second book. I hope you haven’t been taking me for a ride and that you really will have a manuscript ready by the end of the month. Barnaski is shitting bricks. Do you realize what’s going to happen to Harry? Don’t get mixed up in this, Marc. Don’t screw up your career.”
On T V the state attorney general was giving a press conference. He listed the charges against Harry: kidnapping and two counts of murder. Harry was formally accused of having murdered Deborah Cooper and Nola Kellergan. And the punishment for these crimes, taken together, was death.
Harry’s fall was only just beginning. Footage of the preliminary hearing, which was held the next day, was broadcast on T V. We saw Harry arrive in the courtroom, tracked by dozens of T V cameras and illuminated by photolighting, handcuffed, and surrounded by policemen. He looked as if he had been through hell: somber faced, unshaven, hair disheveled, shirt unbuttoned, eyes swollen. His lawyer, Benjamin Roth, stood next to him. Roth was a renowned attorney in Concord who had often advised Harry in the past. I knew him slightly, having met him a few times at Goose Cove.
The whole country was able to watch the hearing live as Harry pleaded not guilty, and the judge ordered him remanded into custody in New Hampshire’s State Prison for Men. But this was only the start of the storm. At that moment I still had the naive hope that it would all be over soon, but one hour after the hearing, I received a call from Benjamin Roth.
“Harry gave me your number,” he said. “He insisted I call. He wants you to know that he’s innocent, that he didn’t kill anybody.”
“I know he’s innocent,” I said. “Tell me how he’s doing?”
“Not too great, as you can imagine. The cops have been giving him a hard time. He admitted to having a fling with Nola the summer she disappeared.”
“I knew about Nola. What about the rest?”
Roth hesitated a second before answering. “He denies it. But . . .”
“But what?” I demanded.
“Marcus, I’m not going to hide it from you. This is going to be difficult. The evidence is . . .”
“The evidence is what? Tell me, for God’s sake!”
“This has to stay a secret. No one can know.”
“I won’t say a word. You can trust me.”
“Along with the girl’s remains the investigators found the manuscript of The Origin of Evil.”
“What?”
“I’m telling you, the manuscript of that damn book was buried with her. Harry is in deep shit.”
“What does Harry say?”
“He says he wrote that book for her. That she was always snooping around his home in Goose Cove, and that sometimes she would borrow his pages to read. He says that a few days before she disappeared, she took the manuscript home with her.”
“What? He wrote that book for her?”
“Yes. But that can’t get out, under any circumstances. You can imagine the scandal there’d be if the media found out that one of the bestselling books of the last fifty years is not a simple love story, like everyone thinks, but based on an illicit affair between a guy of thirty-four and a girl of fifteen . . .”
“Can you get him released on bail?”
“Bail? You don’t understand how serious this is. There’s no question of bail when it comes to capital crimes. The punishment he risks is lethal injection. Ten days from now his case will be presented to a grand jury, which will decide whether to pursue charges and hold a trial. It’s just a formality. There’s no doubt there will be a trial.”
“And in the meantime?”
“He’ll stay in prison.”
“But if he’s innocent?”
“That’s the law. I’m telling you—this is a very serious situation. He’s accused of murdering two people.”
I slumped back on the couch. I had to talk to Harry.
“Ask him to call me!” I said to Roth.
“I’ll pass on your message.”
“Tell him I absolutely have to talk to him, and that I’m waiting for his call.”
Right after hanging up, I went to my bookshelves and found my copy of The Origin of Evil. Harry’s inscription was on the first page:
To Marcus, my most brilliant student
Your friend,
H. L. Quebert, May 1999
I immersed myself once again in that book, which I hadn’t opened in years. It was a love story, mixing a straight narrative with epistolary passages, the story of a man and woman who loved each other without really being allowed to love each other. So he had written this book for that mysterious girl about whom I still knew nothing. I finished rereading it in the middle of the night, and contemplated the title. And for the first time I wondered what it meant: Why The Origin of Evil? What kind of evil was Harry talking about?
---------
Two days passed, during which the DNA analyses and dental impressions confirmed that the skeleton discovered at Goose Cove was indeed that of Nola Kellergan. The investigators were able to determine that the skeleton was that of a fifteen-year-old child, indicating that Nola had died more or less at the time of her disappearance. But, most important, a fracture at the back of the skull provided the certainty, even after more than thirty years, that Nola Kellergan had died from at least one blow to the head.
I had no news of Harry. I tried to get in touch with him through the state police, through the prison, and through Roth, but without success. I paced my apartment, tormented by thousands of questions, plagued by the memory of his weird call. By the end of the weekend, I couldn’t take it anymore, and I decided that I had little choice but to go to see what was happening in New Hampshire.
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