A complex, harrowing story follows Ava, a Mexican prostitute with ambition, who convinces a client to help her murder a rich rancher, disappears with the loot, and then turns up as a major player in a revolutionary band's camp.
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Employing a strange and bountiful cast of characters, The Sinaloa Story bobs and weaves as if challenging the reader to follow a spectacular, if often incoherent, narrative. This is no small task, considering the action rolls at a page-turning clip and reads like a noir film treatment in which characters are ushered in and out of the plot with the speed and finality of a high-caliber slug. The story line, such as it is, revolves around DelRay Mudo, a dim-witted mechanic who falls hard for Ava Varazo, a stunning and scheming prostitute who easily beguiles him into helping her rob her pimp of $500,000, part of which belongs to Mr. Nice, a notorious mob boss. When Ava quickly dumps DelRay (and locks him in the trunk of his car) then splits with the cash, this development comes as no surprise. When she heads to Mexico to join a guerilla band known as the Countless Raindrops, however, an unforeseen and intriguing twist begins. This twist abruptly unravels into a bizarre tangle of events which are connected to previous episodes by only the thinnest of threads. The result is a darkly exhilarating and scattershot ride in which kidnapping, murder, amnesia, and prophetic dreams abound, as do colorful personalities with memorable names such as Cobra Box, Ruby Ponds Cure, Thankful Priest, and Cairo Fly.
To say the book is nonlinear is putting it mildly; the only thing some of these vignettes have in common is that they happen to be contained within the same book. But Gifford has a knack for creating electrifying, grainy snapshots of subterranean life, pulling defining moments into vivid focus while leaving the background mired in shadow and mystery. The characters are not deep, but they are rich, and even those who appear for only a paragraph or two are memorable, adding much to the setting, if not the plot.
As might be expected of one who has written screenplays for (Wild at Heart) and with (Lost Highway) David Lynch, Barry Gifford paints hypnotic dreamscapes in which the atmosphere is the driving force behind the narrative. Those searching for a seamless, let alone believable, story will be left shaking their heads, but those willing to suspend reality and embrace even the most outlandish coincidences and tattered loose ends will enjoy the staccato dialogue, gritty detail, and oddly appealing cast in this eerie joy ride along the dark fringes of America. --Shawn Carkonen
Barry Gifford (born October 18, 1946) is an American author, poet, and screenwriter known for his distinctive mix of American landscapes and film noir- and Beat Generation-influenced literary madness. He is described by Patrick Beach as being "like if John Updike had an evil twin that grew up on the wrong side of the tracks and wrote funny..."[1]He is best known for his series of novels about Sailor and Lula, two sex-driven, star-crossed protagonists on the road. The first of the series, Wild at Heart, was adapted by director David Lynch for the 1990 film of the same title. Gifford went on to write the screenplay for Lost Highway with Lynch. Much of Gifford's work is nonfiction.
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Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First Edition; First Printing. Signed by Gifford on the title page. Brown cloth spine over orange boards. The edge of the boards are slightly bumped. A trace of dust soiling to the jacket. A motorcycle mechanic in Arizona agrees to help a Mexican prostitute murder her employer for his money. ; 231 pages; Signed by Author. Seller Inventory # 25025
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