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In somber forest, when the sun was low,There is, perhaps, an extra quotient of Frost-like gloom to some of the work here. And indeed, "A Wall in the Woods: Cummington" seems like a deliberate updating of Frost's Yankee pastoralism, although Wilbur imparts an elegance all his own: "What is it for, now that dividing neither / Farm from farm nor field from field, it runs / Through deep impartial woods, and is trangressed / By boughs of pine or beech from either side?" Here and there Wilbur runs out of steam, or bogs down in his own gentility. But he's an appropriately flinty mouthpiece for Dante in "Canto XXV of the Inferno," which originally appeared in a 1998 round-robin translation, and poems like "For C." or "Icons" or "Fabrications" show him at the top of his game. Formalism could hardly find a more accomplished figure for its standard-bearer, and like the spider web that Wilbur celebrates in the latter poem, Mayflies handily demonstrates "the bright resilience of the frailest form." --James Marcus
I saw from unseen pools a mist of flies
In their quadrillions rise
And animate a ragged patch of glow
With sudden glittering...
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