Paul West, prolific novelist and writer of renown, is also a beloved and famous writing teacher. In Master Class, West re-creates his last writing seminar, filled with wonderful conversation, deep insight into the creative spirit, and terrific tips for good writing.
Fifteen students-eager, talented, some new, and some old friends- come together twice a week to talk about great works, to discuss each others' writing, and to open their minds and hearts to the joy, peril, and discipline of striving to write good literature.
West, who is dedicated to both great writing and to his students, has class members sleep with a page of Proust under their pillows. Then they begin-writing, talking, analyzing, and critiquing. Each class and each chapter of Master Class offers a heady mix of detailed advice and creative philosophy.
Only a few fortunate students were accepted into this seminar. Now readers and writers all over the world can sit with master teacher Paul West, learning not only what makes a great opening sentence, but also how to expand their minds and imaginations.
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Paul West, called "a national treasure," is the author of eighteen novels, most recently Life with Swan, and ten works of nonfiction. A recipient of numerous awards and honors, he has taught at Brown University, Cornell University, and the University of Arizona.
"I am a species of Nero, good at his trade, but fiddling while Literature burns and the amount of it undertaken by successive generations becomes smaller and smaller." So says renowned novelist (The Dry Danube, etc.) and revered fiction teacher West as he reflects upon his efforts to inspire 15 students selected for a graduate seminar in fiction writing at an undisclosed university. Master Class is a combination of West's descriptions and transcriptions of their class meetings. Two tendencies play off of each other here: while many of the students are already established writers, West speaks as if they might be approaching English for the first time ("English... is full of invisible words such as he and it and and and is the American vice, poor substitute for lyrical deployment over a full skein of grammar"); on the other hand, West also assumes an immense knowledge of world literature, philosophy and music. In each chapter, West considers a student's original work, often riffing brilliantly upon his/her literary influences, pop culture in America (such as Blue Velvet and Alien) and the very nature of writing itself. Though he speaks idealistically about the writing process, West nonetheless shrewdly assesses each student's publishing potential, though usually only to himself (e.g., "This verbal fecundity... promises Dimitri a difficult publishing career"). One's head may be reeling by the end of this work from the sheer force of West's brain power, the range and rapidity of his literary references, and the cleverness of his spontaneous pedagogical metaphors. But reading this work is almost like participating in the seminar, without actually having to share one's own writing with the class and without the vulnerability that that necessarily entails. (Aug.) Forecast: This is a natural anywhere there is a university writing program. But all aspiring writers will want to read it, if the book gets the review attention it deserves. Harcourt's Harvest imprint will promoting the reprint of West's acclaimed Secret Lives of Words along with Master Class.
Copyright 2001 Cahners Business Information, Inc.
"About this title" may belong to another edition of this title.
Book Description Harcourt, 2001. Hardcover. Book Condition: New. book. Bookseller Inventory # M0151005745
Book Description Harcourt, 2001. Hardcover. Book Condition: New. Never used!. Bookseller Inventory # P110151005745