After languishing for years in a dusty attic, a dollhouse family is delighted when two little girls begin to play with them, until they realize that one of the dolls, the youngest son, Walter, is missing.
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Ann Turner is the author of many novels, picture books, and poetry collections for children. Her novel A Hunter Comes Home was an ALA Notable Children's Book, and her first picture book, Dakota Dugout, received the same honor. Among her other books are Abe Lincoln Remembers, illustrated by Wendell Minor, a Notable Children's Trade Book in the Field of Social Studies; When Mr. Jefferson Came to Philadelphia; Rosemary's Witch, a School Library Journal Best Book; Through Moon and Stars and Night Skies, a Reading Rainbow Book; and two poetry books, A Lion's Hunger and Learning to Swim, which were both ALA Best Books for Young Adults. She lives in Williamsburg, Massachusetts, with her husband and two children.
Grade 4-6. Turner's offering is a confusing hodgepodge of themes. Sweet little Emily and horrible older sister Rose are cleaning out their aunt's doll house. Naturally, the dolls have rich inner lives, and they manage to communicate with Emily almost immediately. Rose is a tougher nut to crack, but then she is suffering from the trauma of her family's move to Gran's, out in the country. Rose does horrible things to the dolls until they break through her tough facade. Walter is the youngest doll, who is missing somewhere in the great wilderness of the backyard. The search for him involves the dolls' manipulating the family into getting a dog, surviving a fire, and telepathy. The boy doll, like Oz's Tin Man, even gets a heart. Turner's use of language makes for some vivid reading. However, it's not enough to compensate for the breakneck pace of the plot or shallow human characterizations. With the added tensions of some family problems, the fears associated with starting a new school, and the sisters' rocky relationship, there is just too much going on. In addition, the fantasy of the dolls fails because Turner is inconsistent with the rules. By giving the dolls the powers to connive and exert free will, she kills the need to willingly suspend disbelief. Recommend Betty Ren Wright's The Dollhouse Murders (Holiday, 1983), William Sleator's Among the Dolls (Dutton, 1975; o.p.), and Jean S. O'Connell The Dollhouse Caper (Crowell, 1976; o.p.), and forget about finding Walter.?Patricia A. Dollisch, DeKalb County Public Library, Decatur, GA
Copyright 1997 Reed Business Information, Inc.
For readers who ever felt that dolls had thoughts and feelings comes a funny, touching fantasy from Turner (Mississippi Mud, p. 728, etc.). Two sisters, Emily and Rose, clean up an old dollhouse they find in their grandmother's attic. The dolls have been lying dormant, abused by mice, moths, and dust, and are relieved to have someone play with them again. But as they reemerge into life, the doll family finds that the youngest member of their clan, Walter, is nowhere to be found. By sending the girls mental images, the dolls communicate their plight and the warring sisters work together to help the dolls become a complete family again, and mend their own relationship, too. Emily and Rose's alliance unfurls nicely in the background without upstaging the real starsthe dolls. Readers will embrace the characters and warm to the old-fashioned manners and attitudes the dolls demonstrate. Turner's style is gentle and timeless, masterfully shifting between the ``real'' world and the doll world. Not only a humorous, thoughtful adventure, the story is a smart allegory that, like Sylvia Cassedy's Behind the Attic Wall (1983), has the makings of a classic. (Fiction. 8-12) -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.
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Hardback. Condition: Good. 'Ontvoering uit Popokabaka' is een fictieverhaal met sociale insteek gebaseerd op een aantal waar gebeurde feiten. Twee jongeren, Hercule en Dieudonn e, worden op 6000 kilometers van elkaar geboren. Beiden zijn ouderloos door nawee n van WO II enerzijds en door dramatische gebeurtenissen die plaats vonden in Belgisch-Congo anderzijds. Beide ouderloze kinderen vragen tijdens hun jeugd naar hun geboortewortels en naar wie hun ouders zijn. Na een aantal verwikkelingen in hun jonge leven gaan ze samen als volwassenen op zoek naar hun oorsprong. Zij slagen erin om na maanden van volgehouden inspanningen te weten te komen waar ze werden geboren en wie hun ouders waren. De rode draad in hun speurtocht is genegenheid die langzaamaan tussen beide jongeren opbloeit. Romantiek is in dit verhaal nooit ver weg. Decors van het verhaal zijn Muiden in Nederland, Waterloo, Brussel, Antwerpen, Popokabaka, Leopoldstad en Save in Rwanda. Schrijver Willem Van Torre werd geboren in 1944. Na studies had hij diverse directie- en managementfuncties bij multinationals. Hij werkte later als zelfstandig consultant voor logistiek management en bedrijfsorganisatie. Zijn hobby's zijn reizen, schrijven en geschiedenis. Willem Van Torre verdiept zich graag in de geest van mensen. Al vanaf de prille leeftijd van vijf maanden was hij wees. Hij groeide op bij zijn grootmoeder en verbleef tijdens zijn jeugd vooral in internaten. Daar ontwikkelde zich, met de steun van leraren Nederlands, zijn voorliefde voor het schrijven; aanvankelijk po zie, later essays. De auteur schreef eerder de boeken 'Van grijs, over zwart, naar wit', 'De ganzenpoot' en recent 'Lente in Boekarest'. Willem Van Torre woont in Koksijde, is gehuwd en heeft drie kinderen. Seller Inventory # CIN015200212XG
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