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Synopsis
Dawn of the DAW examines DIY recording studio practices past and present, with a focus on the concept of "the studio as musical instrument" the evolving role of the producer, and the implications of these practices for the field of music education.
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About the Author
Adam Patrick Bell is an Assistant Professor of Music Education in the School of Creative and Performing Arts at the University of Calgary, Canada. He has written several peer-reviewed articles and chapters on the topics of music technology in music education, and disability in music education. Prior to his career in higher education, Bell worked as a kindergarten teacher, elementary music teacher, and support worker for adolescents with disabilities. Bell has also worked as a freelance producer, creating commercial music for clients including Coca-Cola.
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Dawn of the DAW: The Studio as Musical Instrument (eng)
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Dawn of the DAW : The Studio As Musical Instrument
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Dawn of the DAW: The Studio as Musical Instrument
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Oxford University Press Inc, 2018
ISBN 10: 0190296607
ISBN 13: 9780190296605
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Dawn of the DAW
Published by
Oxford University Press Inc, 2018
ISBN 10: 0190296607
ISBN 13: 9780190296605
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Dawn of the DAW
Published by
Oxford University Press Inc, 2018
ISBN 10: 0190296607
ISBN 13: 9780190296605
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Dawn of the DAW : The Studio As Musical Instrument
Published by
Oxford University Press, 2018
ISBN 10: 0190296607
ISBN 13: 9780190296605
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Dawn of the DAW : The Studio As Musical Instrument
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Dawn of the DAW: The Studio as Musical Instrument
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Dawn of the DAW : The Studio As Musical Instrument
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Oxford University Press, 2018
ISBN 10: 0190296607
ISBN 13: 9780190296605
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Dawn of the DAW (Hardcover)
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ISBN 10: 0190296607
ISBN 13: 9780190296605
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Hardcover. Condition: new. Hardcover. Dawn ot the DAW tells the story of how the dividing line between the traditional roles of musicians and recording studio personnel (producers, recording engineers, mixing engineers, technicians, etc.) has eroded throughout the latter half of the twentieth century to the present. Whereas those equally adept in music and technology such as Raymond Scott and Les Paul were exceptions to their eras, the millennial music maker is ensconced in a world in which thesymbiosis of music and technology is commonplace. As audio production skills such as recording, editing, and mixing are increasingly co-opted by musicians teaching themselves in their do-it-yourself (DIY)recording studios, conventions of how music production is taught and practiced are remixed to reflect this reality.Dawn of the DAW first examines DIY recording practices within the context of recording history from the late nineteenth century to the present. Second, Dawn of the DAW discusses the concept of "the studio as musical instrument" and the role of the producer, detailing how these constructs have evolved throughout the history of recorded musicin tandem. Third, Dawn of the DAW details current practices of DIY recording--how recording technologies are incorporated into music making, and how they are learned by DIY studio users in the musically--chic borough ofBrooklyn. Finally, Dawn of the DAW examines the broader trends heard throughout, summarizing the different models of learning and approaches to music making. Dawn of the DAW concludes by discussing the ramifications of these new directions for the field of music education. Dawn of the DAW examines DIY recording studio practices past and present, with a focus on the concept of "the studio as musical instrument" the evolving role of the producer, and the implications of these practices for the field of music education. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9780190296605
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