Items related to Figured Harmony at the Keyboard Part 2
This book presents figured harmony as a form of aural training. It seeks to make the student more keenly aware of chord-relationships as actual sound. It will increase the student's power to form an inward realization of what a page of music is going to sound like without having actually heard it.
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About the Author:
Reginald Owen Morris was a British composer and teacher. He was born in York and was educated at Harrow School, New College, Oxford and the Royal College of Music in London, where he subsequently became professor of counterpoint and composition. Morris was considered a brilliant teacher of
counterpoint, and wrote a number of influential texts on the subject.
Students of Morris included composers Gerald Finzi, Sir Michael Tippett, Constant Lambert, Robin Milford, Anthony Milner, Edmund Rubbra, Bernard Stevens and Jean Coulthard.
counterpoint, and wrote a number of influential texts on the subject.
Students of Morris included composers Gerald Finzi, Sir Michael Tippett, Constant Lambert, Robin Milford, Anthony Milner, Edmund Rubbra, Bernard Stevens and Jean Coulthard.
"About this title" may belong to another edition of this title.
- PublisherOxford University Press Music
- Publication date1968
- ISBN 10 0193214725
- ISBN 13 9780193214729
- BindingPaperback
- Edition number1
- Number of pages32
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Figured Harmony at the Keyboard Part 2
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Figured Harmony at the Keyboard Part 2
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Figured Harmony at the Keyboard. Part II
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Figured Harmony at the Keyboard: Part II (Figured Harmony at the Keyboard)
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Figured Harmony at the Keyboard, Part II (Paperback)
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Book Description Paperback. Condition: new. Paperback. This book presents figured harmony as a form of aural training. It seeks to make the student more keenly aware of chord-relationships as actual sound. It will increase the student's power to form an inward realization of what a page of music is going to sound like without having actually heard it. This book presents figured harmony as a form of aural training. It seeks to make the student more keenly aware of chord-relationships as actual sound. It will increase the student's power to form an inward realization of what a page of music is going to sound like without having actually heard it. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780193214729
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