Like Machiavelli's The Prince and the Japanese Book of Five Rings, Sun Tzu's The Art of War is as timely for business people today as it was for military strategists in ancient China. Written in China more than 2,000 years ago, Sun Tzu's classic The Art of War is the first known study of the planning and conduct of military operations. These terse, aphoristic essays are unsurpassed in comprehensiveness and depth of understanding, examining not only battlefield maneuvers, but also relevant economic, political, and psychological factors. Indeed, the precepts outlined by Sun Tzu regularly applied outside the realm of military theory. It is read avidly by Japanese businessmen and was touted in the movie Wall Street as the corporate raider's bible.
Providing a much-needed translation of this classic, Samuel Griffith has made this powerful and unique work even more relevant to the modern world. Including an explanatory introduction and selected commentaries on the work, this edition makes Sun Tzu's timeless classic perfectly accessible to modern readers.
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The Art of War was written over 2,300 years ago in what is now North China. Yet it still remains a contemporary lesson on how to attain victory without going to battle. Modern-day warriors find its ancient strategies helpful regardless of whether the conflict dwells in the boardroom or the bedroom. Despite numerous references to enemies, generals, and armies, The Art of War is about nonaggression. At its core, The Art of War offers a sophisticated lesson on "taking whole," meaning staying openhearted and relaxed in order to sidestep a fight--whether you are a field commander, a CEO, or a frustrated mother putting a resistant son to bed. This particular translation comes from the Denma Translation Group, led by scholars Kidder Smith and James Gimian (publisher of Shambhala Sun magazine). Because of the text's obscure wording (even the Chinese find the original document cumbersome), the translators have inserted helpful commentary that removes some of the linguistic barriers. --Gail Hudson
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