One of the major painters of the last century, Mark Rothko created a unique pictorial idiom for which he is celebrated througho9ut the world. Drawing on her countless conversations with the artist, Ashton deftly explores Rothko’s personal sense of commitment and mission, his love of music and literature, and his philosophical outlook, particularly his interest in Nietzsche. She examines his associations with other artists -- Max Weber, Milton Avery, Adolph Gottlieb, Philip Guston, Robert Motherwell and others -- as well as his relationships with artists and connoisseurs in other countries. The many illustrations -- 16 in color and 30 in black and white -- represent the whole spectrum of Rothko’s work and further enhance this valuable study. American art historian and critic Dore (pronounced DOR-ee) Ashton (1928-2017) wrote some of the earliest and most insightful histories of Abstract Expressionism and the leading painters of the New York School. A tireless champion of new art, Ms. Ashton ran afoul of John Canaday, a staunch anti-Modernist who became the The New York Times’s art news editor and chief critic in 1959. In a blistering memo, he accused her of writing to an artistic clique and cheerleading for it. Her retort, placed on Canaday’s desk, was a diatribe, reviling her boss with references to Zenocrates and Zola, and throwing back at him his own published words. A bitter battle ensued and Ashton left the newspaper in November 1960. Enlisting the support of fellow critics, including Harold Rosenberg, Meyer Schapiro, and Leo Steinberg, she succeeded in putting the matter before the International Association of Art Critics, which censured Canaday for “infringing basic principles of freedom of criticism.” After leaving The Times, Ashton, who lived in Manhattan, taught art history at the School of Visual Arts, Cooper Union, and the New School, while generating a stream of articles, exhibition catalogs, monographs, and biographies.
"synopsis" may belong to another edition of this title.
Dore Ashton's books include A Joseph Cornell Album, Picasso on Art, A Critical Study of Philip Guston, A Fable of Modern Art, The New York School, Noguchi East and West, and A Reading of Modern Art. She lives in New York City.
"Essential." -- Library Journal
"About this title" may belong to another edition of this title.
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0195033485I4N10
Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. Seller Inventory # 00099339836
Seller: HPB-Emerald, Dallas, TX, U.S.A.
hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Seller Inventory # S_477669851
Seller: World of Books Inc, Montgomery, IL, U.S.A.
Hardback. Condition: Good. As the Washington Post says, Dore Ashton brings the reader to the very core of Mark Rothko's art. She draws on her countless interviews with the artist--giving little credence to the false mythology surrounding his work--to take us to the heart of Rothko's painting, showing its derivation from his reading, travel, and thought. Seller Inventory # CIN0195033485G
Seller: ANARTIST, New York, NY, U.S.A.
Hardcover with dustjacket, 226 pages, small tear to top of dj; fair condition: pencil marks in the margins of most of the pages. As is. Seller Inventory # AbRoOx15
Seller: Voyageur Book Shop, Milwaukee, WI, U.S.A.
Half Cloth. Condition: Good. Dust Jacket Condition: Good. 1st Edition. Board corners bumped, small inscription on the front end paper, dustjacket is price clipped but in mylar. X8. Seller Inventory # 014941
Seller: Great Matter Books, Grand Rapids, MI, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Good. Very Good condition hardcover book, Good condition dust jacket. First Printing. Light bumping to cover corners and spine ends. Toning and minimal smudging to pages. Dust jacket unclipped. Jacket has shelf wear, toning, smudging, and bumping. Few tiny tears to edges, less than 1/8 inch. Jacket protected by Brodart. Each book individually inspected and described. Never X-Library unless specifically stated as such. Seller Inventory # 2607-4424
Seller: Powell's Bookstores Chicago, ABAA, Chicago, IL, U.S.A.
hardcover. Condition: Used-Very Good. Cloth, dj. Slight shelf-wear, else very sound, with clean internals. Seller Inventory # 1987590
Seller: FSS Books, New York, NY, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. First edition, first printing (full number line). Text is clean and unmarked, binding solid but has a small tear at the top of the spine that is copied in the clipped DJ, no indications of previous ownership. Seller Inventory # 000273
Seller: Southampton Books, Sag Harbor, NY, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. First Edition, First Printing. Published by Oxford, 1983. Octavo. Book is very good. Dust jacket is very good with edgewear/tears and price-clipped. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York. Seller Inventory # 187810