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Synopsis
A remarkable continuation of Dudley Andrew's classic, The Major Film Theories, this work focuses on the key concepts in film study: perception, representation, signification, narrative structure, adaptation, evaluation, identification, figuration, and interpretation. Beginning with a lucid introductory chapter on the current state of film theory, Andrew goes on to build an overall view of film, presenting his own ideas on each concept, and giving a sense of the interdependence of these concepts. By providing lively explanations of theories that involve perceptual psychology and structuralism, semiotics and psychoanalysis, hermeneutics and genre study, Andrew offers unique observations on these often obscure topics, allowing readers to acquire the background they need to enrich their understanding of film--and of art.
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From the Back Cover
Concepts in Film Theory concentrates on the major areas of debate rather than on individual figures. Andrew provides lucid explanations of theories which involve perceptual psychology and structuralism; semiotics and psychoanalysis; hermeneutics and genre study.
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Concepts in Film Theory Galaxy
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Oxford University Press, 1984
ISBN 10: 0195034287
ISBN 13: 9780195034288
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Concepts in Film Theory
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Oxford University Press, 1984
ISBN 10: 0195034287
ISBN 13: 9780195034288
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Concepts in Film Theory
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Oxford University Press, 1984
ISBN 10: 0195034287
ISBN 13: 9780195034288
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Concepts in Film Theory
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ISBN 13: 9780195034288
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Concepts in Film Theory (Galaxy Books)
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ISBN 10: 0195034287
ISBN 13: 9780195034288
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Concepts in Film Theory (Galaxy Books)
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ISBN 10: 0195034287
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Concepts in Film Theory (Galaxy Books)
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Concepts in Film Theory
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ISBN 10: 0195034287
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Concepts in Film Theory (Galaxy Books)
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ISBN 10: 0195034287
ISBN 13: 9780195034288
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