Now long out of print, John Dunning's Tune in Yesterday was the definitive one-volume reference on old-time radio broadcasting. Now, in On the Air, Dunning has completely rethought this classic work, reorganizing the material and doubling its coverage, to provide a richer and more informative account of radio's golden age.
Here are some 1,500 radio shows presented in alphabetical order. The great programs of the '30s, '40s, and '50s are all here--Amos 'n' Andy, Fibber McGee and Molly, The Lone Ranger, Major Bowes' Original Amateur Hour, and The March of Time, to name only a few. For each, Dunning provides a complete broadcast history, with the timeslot, the network, and the name of the show's advertisers. He also lists major cast members, announcers, producers, directors, writers, and sound effects people--even the show's theme song. There are also umbrella entries, such as "News Broadcasts," which features an engaging essay on radio news, with capsule biographies of major broadcasters, such as Lowell Thomas and Edward R. Murrow. Equally important, Dunning provides a fascinating account of each program, taking us behind the scenes to capture the feel of the performance, such as the ghastly sounds of Lights Out (a horror drama where heads rolled and bones crunched), and providing engrossing biographies of the main people involved in the show.
A wonderful read for everyone who loves old-time radio, On the Air is a must purchase for all radio hobbyists and anyone interested in 20th-century American history. It is an essential reference work for libraries and radio stations.
"synopsis" may belong to another edition of this title.
John Dunning is a popular mystery novelist, author of The Bookman's Wake and Booked to Die. He lives in Aurora, Colorado.
Here are some 1,500 radio shows presented in alphabetical order. The great programs of the '30s, '40s, and '50s are all here - Amos 'n' Andy, Fibber McGee and Molly, The Lone Ranger, Major Bowes' Original Amateur Hour, and The March of Time, to name only a few. For each, Dunning provides a complete broadcast history, with the timeslot, the network, and the name of the show's sponsors. He lists major cast members, announcers, producers, directors, writers, and sound effects people - even the show's theme song. There are also umbrella entries, such as "News Broadcasts", which features an engaging essay on radio news, with capsule biographies of major broadcasters like Lowell Thomas and Edward R. Murrow. Equally important, Dunning provides a fascinating account of each program, taking us behind the scenes to capture the feel of the performance, such as the ghastly sounds of Lights Out (a horror drama where heads rolled and bones crunched), and providing engrossing biographies of the main people involved in the show.
As he did in Tune in Yesterday: The Ultimate Encyclopedia of Old-Time Radio (Prentice Hall, 1976), Dunning here provides a storehouse of information about the people and programs of radio's Golden Age (1930s, 1940s, 1950s). The storehouse, however, has been thoroughly remodeled and refurbished. The amount of material covered has been considerably expanded and its presentation carefully reorganized.
Some 1,500 radio shows, listed in alphabetical order, are described in concise articles linked with an extensive system of cross-referencing. The cross-referencing is crucial, because someone looking for Ozzie and Harriet or Sam Spade will need to know that both programs are listed in the main part of the text under The Adventures of.... The articles vary in length, from the briefest of paragraphs (The Billie Burke Show and Linda's First Love) to several pages (The Lone Ranger and The Mercury Theater of the Air). Each program entry consists of title and broadcast history (including exact starting and ending dates, day and timeslot, network, announcer, sponsor, etc.). This is followed by an essay that often imparts all manner of detail, or, in the case of those short entries, a capsule description of the program.
Although the majority of the articles are about individual programs, there are also a number of survey articles, such as sports broadcasts, concert broadcasts, and news broadcasts. Here, too, the cross-referencing is essential in order to find information about a specific program that might fall under one of those categories and is not listed separately. There is an extensive bibliography, which will be of great help to those wishing to pursue the subject further.
In the electronically connected world of today, it is hard to imagine a time (not so long ago) when there was but one medium of electronic information. The rich detail in this solid work helps convey the flavor of that earlier time. Devotees of classic television shows may be surprised to find out that such programs as Father Knows Best, Our Miss Brooks, Queen for a Day, and Sky-King all started as radio programs. A worthy addition to most reference collections, this volume is an interesting portrait of a time when radio was more than background music or xenophobic talk shows. Another recent publication, the Historical Dictionary of American Radio [RBB Ag 98], covers a wider range of topics related to radio but has far less coverage of individual programs.
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