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Particular types of dance, especially ballet, have been previously served by reference books, but works embracing all manner of dance in all countries in all time periods are in much shorter supply. Simon and Schuster's Dance Encyclopedia covered various kinds of dance, individual dancers, dance companies, and other dance topics, albeit in a much more abbreviated form. The International Dictionary of Ballet [RBB Ja 15 94] was a larger treatment, but concentrated on classical ballet (individual artists, ballets, and ballet companies) and select modern choreographers. For size, scope, and quality of scholarship there simply isn't anything comparable to the International Encyclopedia of Dance (IED).
Conceived at a 1974 meeting of the Dance Critics' Association, this remarkable creation survived a long period of gestation. Two years after that meeting, the National Endowment for the Humanities (NEH) awarded a grant to the Dance Perspectives Foundation for a scholarly planning conference for the undertaking. Grants from many individuals and several national foundations followed, and now, some two decades (and several publishers) later, the project has finally been realized. A distinguished Editorial Board, headed by Selma Jeanne Cohen, and hundreds of experts on dance, anthropology, art, music, folklore, philosophy, and other fields have produced a singular work.
From Abraxas to the Zurich Ballet, a remarkable variety of dances, dancers, and dance topics are represented. Here you will find Mark Morris as well as Morris Dance, Tommy Tune as well as Tamara Toumanova, and Carmen Miranda as well as Natalia Makarova. Not only are there articles on dances of historical interest, such as the minuet, courante, pavan, and galliard, but dances of nearly every type imaginable, including round, step, square, fan, ice, and break. Surveys of dance in countries from Afghanistan to Yugoslavia offer historical, cultural, and aesthetic overviews. These articles often address dance research and publication, and education and criticism in the country surveyed.
Numerous high-quality photographs and illustrations punctuate the thoroughly cross-referenced text. Other noteworthy features are the bibliographies (and sometimes videographies) often appended to the articles. Overall, the tone is scholarly but not pedantic, resulting in a text that is accessible to a wide variety of readers.
IED embodies the dictionary definition of an encyclopedia: "A comprehensive reference work containing articles on a wide range of subjects or on numerous aspects of a particular field. . . ." (American Heritage Dictionary of the English Language, Houghton Mifflin, 1992). So many facets of dance are reflected in this jewel of a work that the effect is truly dazzling. In a time when lip service is often paid to the ideas of cultural diversity and inclusiveness, this is a publication that delivers what is promised. Content as well as contributors represent a true world view--aspects of dance in more than 100 countries are written about by more than 600 writers representing some 50 nations. Dance as ceremony and ritual in religious as well as social and cultural traditions is covered here, as are the related topics of music, scenic design, dance notation, costumes, aesthetics, and training.
There has never been a dance reference work with such a wide-ranging outlook presented in such a carefully planned and executed format. Headings and subheadings are used to break down lengthy articles into manageable sections of text. An extensive system of cross-references and blind entries guides the reader through the text, providing ease of access to specific points of information. The index is exhaustive, and, in the tradition of the great encyclopedias, is accompanied by a synoptic outline of the entire contents.
This set will be indispensable for dance and performing arts research collections. Larger reference collections looking to expand their coverage of the world's cultures will find it of great value. Terpsichore was never served so well by a reference tool!
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Book Description Hardcover (Original Cloth). Condition: Good (ex-library). photographs & art reproductions (illustrator). First Edition. 6 volumes, all have library stickers on the spine, at the front bottom left of the front panel, a withdrawn stamp and the University of Virginia stamp on the front paste down, and a security tab, and stamp "reference does not circulate" & withdrawn stamp on the rear paste down. internally clean, and as far as I can see without annotations or underlining. Volume 6 contains an alphabetical list of entries, a synoptic outline of contents, & the index. Full number line. Size: 4to 9¾" - 12" tall. 6-volume set (complete). Please refer to accompanying picture (s). Illustrator: photographs & art reproductions. Quantity Available: 1. Shipped Weight: Pickup Only. Category: Dance; ballet; Theatre & Plays. ISBN: 019509462X. ISBN/EAN: 9780195094626. Inventory No: 0279156. Seller Inventory # 0279156
Book Description HARDCOVER. Condition: NEAR FINE. Dust Jacket Condition: N0 JACKET. USA: OXFORD UNIVERSITY PRESS, 1998. NEAR FINE/N0 JACKET. USA: OXFORD UNIVERSITY PRESS, 1998. NEAR FINE/N0 JACKET. Oxford University Press, USA, 1998, hardcover, 1st printing (stated), near fine books, no jackets, ex-library reference books with usual markings, beautiful collection, heavy so extra postage. Seller Inventory # L6810
Book Description Condition: Sehr gut. Zustand: Sehr gut - Gepflegter, sauberer Zustand. Aus der Auflösung einer renommierten Bibliothek. Kann Stempel beinhalten. | ISBN/EAN: 019509462x[Sonstiges] | Sprache: Englisch. Seller Inventory # 2605660/202