Stir It Up: Musical Mixes from Roots to Jazz - Hardcover

Santoro, Gene

Hardcover

ISBN 10: 0195098692 ISBN 13: 9780195098693

Publisher: Oxford University Press, 1997

Synopsis

It's a cliché that the world is shrinking. As Gene Santoro sees it in his second collection of essays, music is one arena where that cliché takes on a real, but paradoxical, life: while music crisscrosses the globe with ever greater speed, musicians seize what's useful, and expand their idioms more rapidly.
More and more since the 1960s, musicians, both in America and abroad, have shown an uncanny but consistent ability to draw inspiration from quite unexpected sources. We think of Paul Simon in Graceland, blending Afropop rhythms and Everly Brothers harmonies into a remarkable new sound that captured imaginations worldwide. Or Jimi Hendrix, trying to wring from guitar the howling, Doppler-shifting winds he experienced as a paratrooper. Or Thelonius Monk, mingling Harlem stride piano, bebop, the impressionist harmonies of DeBussey, and a delight in "harmonic space" that eerily paralleled modern physics. From the startling experiments of such jazz giants as Charles Mingus, to the political bite of Bob Marley and Bruce Springsteen, we see musicians again and again taking musical tradition and making it new. The result is a profusion of new forms, media that are constantly being reinvented--in short, an art form capable of seemingly endless, and endlessly fascinating, permutations.
Gene Santoro's Stir It Up is an ideal guide to this ever changing soundscape. Santoro is the rare music critic equally at home writing about jazz (John Coltrane, Ornette Coleman, Tom Harrell), rock (Sting, Elvis Costello, P.J. Harvey), and the international scene (Jamaican, Brazilian, and African pop music). In Stir It Up, readers will find thoughtful but unpretentious discussions of such different musicians as David Byrne and Aretha Franklin, Gilberto Gil and Manu Dibango, Abbey Lincoln and Joe Lovano. And Santoro shows us not only the distinctive features of the diverse people who create so many dazzling sounds, but also the subtle and often surprising connections between them. With effortless authority and a rich sense of music history, he reveals, for instance, how Ornette Coleman was influenced by a mystical group in Morocco--the Major Musicians of Joujouka--whom he discovered via Rolling Stone Brian Jones; how John Coltrane's unpredictable, extended sax solos influenced The Byrds, The Grateful Dead, and most significantly, Jimi Hendrix; and how Bob Marley's reggae combined Rastafarian chants with American pop, African call-and-response, and Black Nationalist politics into a potent mix that still shapes musicians from America to Africa, Europe to Asia.
A former musician himself, Santoro is equally illuminating about both the technical aspects of the music and the personal development of the artists themselves. He offers us telling glimpses into their often turbulent lives: Ornette Coleman being kicked out of his high school band for improvising, Charles Mingus checking himself into Bellevue because he'd heard it was a good place to rest, the teenaged Jimi Hendrix practicing air-guitar with a broom at the foot of his bed, Aretha Franklin's Oedipal struggle with her larger-than-life preacher-father.
Throughout the volume, Santoro's love and knowledge shine through, as he maps the rewarding terrain of pop music's varied traditions, its eclectic, cross-cultural borrowings, and its astonishing innovations. What results is a fascinating tour through twentieth-century popular music: lively, thought-provoking, leavened with humor and unexpected twists. Stir It Up is sure to challenge readers even as it entertains them.

About this title

About the Author

Gene Santoro is music critic for New York's Daily News and The Nation, and is pop-music editor of Fi. He previous collection of essays is entitled Dancing in Your Head: Jazz, Blues, Rock, and Beyond. His writing has appeared in The Atlantic Monthly, People, Rolling Stone, The Village Voice, The New York Times, The Washington Post, New York, and many music publications. He is currently writing a biography of Charles Mingus.

Reviews

This work collects 32 essays by rock journalist Santoro, who writes regular columns for the New York Daily News and the Nation. These vignettes, appearing previously in such magazines as the Nation, the Village Voice, the Atlantic Monthly, and Fi, comment on a wide range of musical styles, including jazz, pop, Cuban, and Hawaiian music. Dealing with jazz artists Ray Drummond and Tom Harrell, African musicians Manu Dibango and Thomas Mafumo, and the Brazilian Gilberto Gil, the best essays in this volume weave fascinating musical biographies from interviews Santoro conducted during the last decade. Unfortunately, most of these accounts simply restate well-known facts about such artists as Jimi Hendrix, Thelonious Monk, John Coltrane, and Charles Mingus. Though demonstrating Santoro's undeniable understanding of a broad spectrum of music, his work generally fails to deliver much material worthy of reprinting. Only for comprehensive music collections.?David P. Szatmary, Univ. of Washington, Seattle
Copyright 1997 Reed Business Information, Inc.

Edition details

• Publisher: Oxford University Press
• Publication date: 1997
• Language: English
• ISBN 10: 0195098692
• ISBN 13: 9780195098693
• Binding: Hardcover
• Edition number: 1
• Number of pages: 208