This is the first book-length study of the rich operatic repertory written and performed in France during the last two decades of the nineteenth century. Steven Huebner gives an accessible and colorful account of such operatic favorites as Manon and Werther by Massenet, Louise by Charpentier, and lesser-known gems such as Chabrier's Le Roi malgré lui and Chausson's Le Roi Arthus.
"synopsis" may belong to another edition of this title.
Steven Huebner is at McGill University, Montreal.
"The variety of Huebner's findings and the sensitivity with which he addresses familiar argument in the light of new material make this book of great value to anyone interested in fin-de-siecle culture. It is so timely. Huebner makes a sensible case for his introduction, and more importantly, applies the basic methodological choice in the analytical framework with refreshing flexibility. Huebner demonstrates brilliantly the importance of the French negotiation of Wagner and the variety of solutions reached."--Journal of the American Musicological Society.
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Paperback. Condition: new. Paperback. This is the first book-length study of the rich operatic repertory written and performed in France during the last two decades of the nineteenth century. Steven Huebner gives an accessible and colourful account of such operatic favourites as Manon and Wether by Massenet, Louise by Charpentier, and lesser-known gems such as Chabrier's Le Roi malgre lui and Chausson's Le Roi Arthus. This is the first book-length study of the rich operatic repertory written and performed in France during the last two decades of the nineteenth century. Steven Huebner gives an accessible and colorful account of such operatic favorites as Manon and Werther by Massenet, Louise by Charpentier, and lesser-known gems such as Chabrier's Le Roi malgre lui and Chausson's Le Roi Arthus. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9780195189544
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