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Synopsis
Contemporary reception study has developed a diversity of approaches and methods, including the institutional, textual, historical, authorial, and reader-response, which, to a greater or lesser extent, acknowledge the various ways in which readers have found texts-literature, television shows, movies, and newspapers-meaningful. This collection emphasizes that new diversity, examining movies, newspapers, fans, television shows, and traditional American as well as modern Hispan
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About the Author
Philip Goldstein is a Professor of English at the University of Delaware. James Machor is a Professor of English at Kansas State University.
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New Directions in American Reception Study
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Oxford University Press, 2008
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ISBN 13: 9780195320886
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New Directions In American Reception Study
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Oxford University Press, U.S.A., 2008
ISBN 10: 0195320883
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New Directions in American Reception Study
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Soft cover. Condition: Near Fine. The book presents as clean, bright and unread. There are no creases to the spine, the pages do not have underlining, highlighting, marginalia, or other marks. There are 20 articles, including the Introduction by the editors, in this 379 page, including the Index and Notes on the Contributors, publication. Each essay has its own references. It appears one writing may have two black-and-white images, but the primary content of the book is in a written format. There are a few minor bends to page corners in this volume. This is the first soft cover edition of this title, number line 9-1. Seller Inventory # Sp360
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New Directions in American Reception Study : Reconsiderations and New Directions
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New Directions In American Reception Study
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New Directions in American Reception Study (eng)
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New Directions in American Reception Study
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New Directions in American Reception Study : Reconsiderations and New Directions
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Oxford University Press, U.S.A., 2008
ISBN 10: 0195320883
ISBN 13: 9780195320886
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New Directions in American Reception Study (Paperback)
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Paperback. Condition: new. Paperback. Contemporary reception study has developed a diversity of approaches and methods, including the institutional, textual, historical, authorial, and reader-response, which, to a greater or lesser extent, acknowledge the various ways in which readers have found texts-- literature, television shows, movies, and newspapers--meaningful. This collection emphasizes that new diversity, examining movies, newspapers, fans, television shows, and traditional American as well asmodern Hispanic, Black, and Women's literature. The essays on literature include James Machor on Melville's short fiction, Kenneth Roemer on Edward Bellamy's utopian work Looking Backward, Amy Blair onthe popularity of Sinclair Lewis's Main Street, Marcial Gonzalez on Danny Santiago and his Hispanic novel Famous All Over Town, and Leonard Diepeveen on modernist fiction and criticism. The theoretical essays on reader-oriented criticism include Patsy Schweickart on interpretation and the ethics of careand Jack Bratich on active audiences. Media versions of response criticism include Andrea Press and Camille Johnson's ethnographic analysis of fans of the Oprah WinfreyShow, Janet Staiger on Robert Aldrich's film version of Mickey Spillane's Kiss Me Deadly, and Rhiannon Bury on the fans of the HBO television show Six Feet Under. History-of-the-book versions include Barbara Hochman on thepopularity of the 1890s editions of Harriet Beecher Stowe's Uncle Tom's Cabin, Ellen Garvey on nineteenth-century scrapbooks of newspaper, and David Nord on early twentieth-century newspapers' relations to audience charges of bias and unfairness. Poststructuralist studies include Philip Goldstein on Richard Wright's Native Son, Steve Mailloux on Reading Lolita in Tehran, and Tony Bennett on the cultural analyses of Pierre Bourdieu. The collection concludes withessays by Janice Radway on the limits of these methods and on the possibility of new forms of sociological and anthropological reception study and byToby Miller on the "reception deception" in relation to the worldwide distributionand reception of movies and television shows. Contemporary reception study has developed a diversity of approaches and methods, including the institutional, textual, historical, authorial, and reader-response, which, to a greater or lesser extent, acknowledge the various ways in which readers have found texts— literature, television shows, movies, and newspapers—meaningful. This collection emphasizes that new diversity, examining movies, newspapers, fans, television shows, and traditional American as well as modern Hispanic, Black, and Women's literature. The essays on literature include James Machor on Melville's short fiction, Kenneth Roemer on Edward Bellamy's utopian work Looking Backward, Amy Blair on the popularity of Sinclair Lewis's Main Street, Marcial Gonzalez on Danny Santiago and his Hispanic novel Famous All Over Town, and Leonard Diepeveen on modernist fiction and criticism. The theoretical essays on reader-oriented criticism include Patsy Schweickart on interpretation and the ethics of careand Jack Bratich on active audiences. Media versions of response criticism include Andrea Press and Camille Johnson's ethnographic analysis of fans of the Oprah Winfrey Show, Janet Staiger on Robert Aldrich's film version of Mickey Spillane's Kiss Me Deadly, and Rhiannon Bury on the fans of the HBO television show Six Feet Under. History-of-the-book versions include Barbara Hochman on the popularity of the 1890s editions of Harriet Beecher Stowe's Uncle Tom's Cabin, Ellen Garvey on nineteenth-century scrapbooks of newspaper, and David Nord on early twentieth-century newspapers' relations to audience charges of bias and unfairness. Poststructuralist studies include Philip Goldstein on Richard Wright's Native Son, Steve Mailloux on Rea Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780195320886
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