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Foundation: B-boys, B-girls and Hip-Hop Culture in New York - Hardcover

 
9780195334050: Foundation: B-boys, B-girls and Hip-Hop Culture in New York
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B-boying is a form of Afro-diasporic competitive dance that developed in the Bronx, NY in the early 1970s. Widely - though incorrectly - known as "breakdancing," it is often dismissed as a form of urban acrobatics set to music. In reality, however, b-boying is a deeply traditional and profoundly expressive art form that has been passed down from teacher to student for almost four decades. Foundation: B-boys, B-girls and Hip-Hop Culture in New York offers the first serious study of b-boying as both unique dance form and a manifestation of the most fundamental principles of hip-hop culture. Drawing on anthropological and historical research, interviews and personal experience as a student of the dance, Joseph Schloss presents a nuanced picture of b-boying and its social context. From the dance's distinctive musical repertoire and traditional educational approaches to its complex stylistic principles and secret battle strategies, Foundation illuminates a previously unexamined thread in the complex tapestry that is contemporary hip-hop.

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B-boying is a form of Afro-diasporic competitive dance that developed in the Bronx, NY in the early 1970s. Widely--though incorrectly--known as "breakdancing," it is often dismissed as urban acrobatics set to music. In reality, b-boying is a traditional and profoundly expressive art form. Some b-boys display their skill at "popping"--rapid movements followed by short freezes. In Foundation, Joseph G. Schloss walks you through the history of b-boying and his personal relationship to the music and the artists who bring hip hop to life.

Meet the B-boys and B-girls of New York's Hip Hop Scene



B-boy and Popper, Geomatrix
relaxing in the South Bronx


Tiny Love popping in Union Square, NY
with boomboxes from his collection


Dancer and teacher, SeoulSonyk, a.k.a. MiRi Park


About the Author:

Joseph Schloss is Visiting Scholar and Adjunct Assistant Professor of Music at New York University. He is the author of Making Beats: The Art of Sample-Based Hip-Hop, which won the 2005 Book Award from the International Association for the Study of Popular Music. His writing has appeared in URB, Vibe, The Seattle Weekly, The Flavor, and the anthologies Classic Material and Total Chaos.

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  • PublisherOxford University Press
  • Publication date2009
  • ISBN 10 0195334051
  • ISBN 13 9780195334050
  • BindingHardcover
  • Edition number1
  • Number of pages176
  • Rating

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