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Cinema in Turkey: A New Critical History - Hardcover

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9780195370058: Cinema in Turkey: A New Critical History

Synopsis

Boasting nearly 7,000 titles, Turkey has produced more films than any other country in the Middle East or the Balkans. While the films enjoy great popularity at home, they haven't received the respect they deserve beyond their borders. Frequently, Turkey's cinema has been painted as imitative, simplistic or underdeveloped, casting it in shadow to the West. But things are finally changing. Turkish filmmakers like Nuri Bilge Ceylan are turning up in cinematheques worldwide. Critics are taking notice. And now general readers will have the overview they need to contextualize this remarkable body of work.

Examining both popular genres and art films, Cinema in Turkey deals with the country's entire cinematic tradition, including not only its high point with Yesilcam-Turkey's popular film industry of the 1950s to the 1980s-but also its early years and current revival. In addition to surveying the cinematic landscape and recounting its history, Cinema in Turkey analyzes the arts conventions from which the first films emerged, region-specific permutations, and the cultural ramifications of Turkey's distinct forms of modernization and nation-building.

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About the Author


Savas Arslan is Associate Professor of Film and Television at Bahcesehir University in Istanbul, Turkey. He is the coeditor of Media, Culture and Identity in Europe and the author of Melodrama (in Turkish).

Review


"Refreshing, thought-provoking and informative."--Charlotte McPherson, Today's Zaman


"I believe that Cinema in Turkey is a groundbreaking work, the first of its kind in English that looks in detail at the conditions of production and exhibition that shaped Yesilcam's product over nearly five decades. It deserves to become a seminal text in Turkish film history."--Laurence Raw, Insight Turkey


"Full of fresh ideas, Arslan's book productively reconciles popular and art house cinema within this study of Turkey's national film tradition. It brings insights into matters of genre, alternative cultural geographies, cross-cultural adaptation, and transnational film historiography. And it successfully tackles the relationship between Western narratives and their appropriation within modernising peripheries." --Dina Iordanova, University of St. Andrews


"Ranging from international art films to the Turkish mainstream, from trash to high-art films, from feminist and auteur theory to Orientalism, from pornography to melodrama, from the Silent Era to New Media, this book is rich in its reference, deep in its understanding, and clear in its analysis." --Ronald Green, Ohio State University


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  • PublisherOxford University Press
  • Publication date2010
  • ISBN 10 0195370058
  • ISBN 13 9780195370058
  • BindingHardcover
  • Edition number1
  • Number of pages336
  • Rating
    • 4.28 out of 5 stars
      18 ratings by Goodreads

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Hardcover. Condition: new. Hardcover. Boasting nearly 7,000 titles, Turkey has produced more films than any other country in the Middle East or the Balkans. While the films enjoy great popularity at home, they haven't received the respect they deserve beyond their borders. Frequently, Turkey's cinema has been painted as imitative, simplistic or underdeveloped, casting it in shadow to the West. But things are finally changing. Turkish filmmakers like Nuri Bilge Ceylan are turning up in cinemathequesworldwide. Critics are taking notice. And now general readers will have the overview they need to contextualize this remarkable body of work. Examining both popular genres and artfilms, Cinema in Turkey deals with the country's entire cinematic tradition, including not only its high point with Yesilcam-Turkey's popular film industry of the 1950s to the 1980s-but also its early years and current revival. In addition to surveying the cinematic landscape and recounting its history, Cinema in Turkey analyzes the arts conventions from which the first films emerged, region-specific permutations, and the cultural ramifications of Turkey's distinct forms ofmodernization and nation-building. With over six thousand films, Turkey has produced more films than any other country in the Middle East or the Balkans. Despite its prolific and popular nature, this national film industry has often been denigrated as imitative, simplistic, and underdeveloped. Taking up precisely these critiques, Cinema in Turkey provides a critical history of feature cinema in Turkey, considering how this cinema developed modes of communication reflective of both existing traditions and region-specific responses to modernization and nation-building. Focusing on both popular films and art cinema, this study deals with the history of cinema in Turkey, including not only its high point during the golden age of Yesilcam (as Turkey's popular film industry of the 1960s and 1970s is known), but also its early years and its current revival, the New Cinema of Turkey. This book not only provides the first comprehensive history of Turkish cinema in English, but also attempts to introduce a contemporary film-theoretical perspective to the examination of Turkish cinema, viewing it in a broader framework that goes beyond the canonical concerns of existing film histories and their art and auteur cinema related perspectives. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780195370058

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