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Synopsis
Screenwriters and film directors have long been fascinated by the challenges of representing the listening experience on screen. While music has played a central role in film narrative since the conception of moving pictures, the representation of music listening has remained a special occurrence.
In Situated Listening: The Sound of Absorption in Classical Cinema, author Giorgio Biancorosso argues for a redefinition of the music listener as represented in film. Rather...
About the Author
Giorgio Biancorosso is Associate Professor of Music at the University of Hong Kong. His work on the history and theory of listening practices reflects a long-standing interest in musical aesthetics, film music, and the history of global cinema. Biancorosso is also active in Hong Kong as a programmer and curator.
Review
"âSituated Listening: The Sound of Absorption in Classical Cinema [is] a quite welcome addition to the recent literature in sound studies, particularly for readers interested in film music and spectator psychology." -- Jeff Smith, Projections
"Biancorosso challenges a long-standing assumption: that music in classical narrative film is necessarily inaudible, or at least inconspicuous. While this supposition has been questioned over the years, Biancorosso goes much further and details music's...
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- PublisherOxford University Press
- Publication date2016
- ISBN 10 0195374711
- ISBN 13 9780195374711
- BindingHardcover
- LanguageEnglish
- Number of pages262
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