This entirely new volume of NOHM takes account of developments in late-medieval music scholarship, along with significant changes in the performance practice of the late-medieval repertory, witnessed during the latter half of the 20th century.
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Reinhard Strohm, D.Phil., TU Berlin 1971, co-editor, Richard-Wagner Gesamtausgabe, 1970-1982; Lecturer in Music, King's College, University of London, 1975-1983; Professor of Music History, Yale University, 1983-1990; Reader, then Professor of Historical Musicology, King's College London, 1990-1996; Heather Professor of Music, Oxford University, 1996- Bonnie Jean Blackburn, D.Phil, University of Chicago; American musicologist who has studied with Edward Lowinsky and Howard Mayer Brown; Lecturer at the School of Music, Northwestern University; Visiting faculty member at both the University of Chicago, 1986, and SUNY, Buffalo, 1989-90; moved to Oxford in 1991and became a freelance editor; general editor of the series Monuments of Renaissance Music.
`This book has a far greater potential for use in interdisciplinary contexts than its predeccessor, since it relies far less on technical musical detail accessible only through notation ... it could be used for example, by students of European social and cultural history - whether or not they
can read music.'
Music and Letters
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Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Takes account of developments in late-mediaeval music scholarship during the latter decades of the 20th century, and includes experience gained through changes in performance practice. The book discusses marginal areas of the subject, such as Jewish traditi. Seller Inventory # 545044790
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