In the fourteenth century composers and theorists invented mensuration and proportion signs that allowed them increased flexibility and precision in notating a wide range of rhythmic and metric relationships. The origin and interpretation of these signs is one of the least understood and most complex issues in music history. This study represents the first attempt to see the origin of musical mensuration and proportion signs in the context of other measuring systems of the fourteenth century. Berger analyzes the exact meaning of every mensuration and proportion sign in music and theory from the fourteenth to the sixteenth century, and offers revisions of many currently-held views concerning the significance and development of early time signatures.
"synopsis" may belong to another edition of this title.
Anna Maria Busse Berger is at University of California, Davis.
"About this title" may belong to another edition of this title.
Seller: Ystwyth Books, Aberystwyth, United Kingdom
Hardcover. Condition: Fine. Dust Jacket Condition: Very Good. 1st Edition. Fine copy in VG complete dustwrraper. No additions.Dustwrapper sunned at spine and a little loose on the book. Seller Inventory # 046060
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Seller: Andover Books and Antiquities, Andover, MA, U.S.A.
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Seller: Anybook.com, Lincoln, United Kingdom
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Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:0198162308. Seller Inventory # 9886275
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Seller: AussieBookSeller, Truganina, VIC, Australia
Hardcover. Condition: new. Hardcover. In the fourteenth century composers and theorists invented mensuration and proportion signs that allowed them increased flexibility and precision in notating a very wide range of rhythmic and metric relationships. The origin and interpretation of these signs is one of the least understood and most complex issues in music history. This study represents the first attempt to see the origin of musical mensuration and proportion signs in the context of other measuringsystems of the fourteenth century. The author also traces the evolution of the mensural notational system to the threshold of the modern system of notation. In the process, the exact meaning of everydaymensuration and proportion sign encountered in music and theory from the fourteenth to the sixteenth century is analysed and elucidated. The investigation results in a revision of many currently held views concerning the significance and development of early time signatures and will be indispensable to scholars and performers of late medieval and Renaissance music. A study of the origin of musical mensuration and proportion signs in the context of other measuring signs of the fourteenth century. The author also traces the evolution of the mensural notational system to the threshold of the modern system of notation. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9780198162308
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Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. Sets the origin of musical mensuration and proportion signs in the context of other measuring systems of the 14th century. This book also traces the evolution of the mensural notational system to the threshold of the modern system of notation. Series: Oxford Monographs on Music. Num Pages: 284 pages, halftones, line drawings, tables, music examples. BIC Classification: AVA; AVGC2. Category: (P) Professional & Vocational. Dimension: 243 x 233 x 23. Weight in Grams: 576. . 1993. hardcover. . . . . Seller Inventory # V9780198162308
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Seller: Buchpark, Trebbin, Germany
Condition: Sehr gut. Zustand: Sehr gut | Seiten: 288 | Sprache: Englisch | Produktart: Bücher | In the fourteenth century composers and theorists invented mensuration and proportion signs that allowed them increased flexibility and precision in notating a wide range of rhythmic and metric relationships. The origin and interpretation of these signs is one of the least understood and most complex issues in music history. This study represents the first attempt to see the origin of musical mensuration and proportion signs in the context of other measuring systems of the fourteenth century. Berger analyzes the exact meaning of every mensuration and proportion sign in music and theory from the fourteenth to the sixteenth century, and offers revisions of many currently-held views concerning the significance and development of early time signatures. Seller Inventory # 2714371/2
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Seller: Brook Bookstore On Demand, Napoli, NA, Italy
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Seller: GreatBookPrices, Columbia, MD, U.S.A.
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Seller: GreatBookPricesUK, Woodford Green, United Kingdom
Condition: New. Seller Inventory # 76158-n
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