This is the only extensive study of the Monteverdi Vespers, vastly expanding on the author's 1978 set of essays on the subject, long since out-of-print. The volume studies the Vespers from the perspectives of its musical and liturgical origins and context, presents analytical essays on the music, and examines seventeenth-century performance practice as it pertains to the Vespers. Appendices include bibliographies and an analytical discography.
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Jeffrey Kurtzman is at University of Washington in St Louis.
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Glazed Black Cloth. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. xix, 603pp, pages clean and crisp, illustrated with musical notation, round green sticker to front free endpaper, glazed black cloth, gilt spine lettering, dust jacket a little scuffed but minimal wear to edges. Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 - 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and Baroque periods of music history. Size: 8vo. Music. Seller Inventory # 018320
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Hardcover. Condition: new. Hardcover. This is a thorough-going study of Monteverdi's Vespers, the single most significant and most widely known musical print from before the time of J.S. Bach. The author examines Monteverdi's Vespers from multiple perspectives, combining his own research with all that is known and thought of the Vespers by other scholars. The historical origin as well as the musical and liturgical context of the Vespers are surveyed; similarly the controversial historiography of the Vespers in the nineteenth and twentieth centuries is scrutinized and evaluated. A series of analytical chapters attempt to clarify Monteverdi's compositional process and the relationship between music and text in the light of recent research on modal and tonal aspects of early seventeenth century music. The final section is devoted to thirteen chapters investigating performance practice issues of the early seventeenth century and their application to the Vespers, including general and specific recommendations for performance where appropriate. The book concludes with a series of informational appendices, including the psalm cursus for Vespers of all major feasts in the liturgical calendar, texts, and structural outlines for the Vespers compositions based on a cantus firmus, an analytical discography, and bibliographies of seventeenth-century musical and theoretical sources. This is the only extensive study of the Monteverdi Vespers, vastly expanding on the author's 1978 set of essays on the subject, long since out-of-print. The volume studies the Vespers from the perspectives of its musical and liturgical origins and context, presents analytical essays on the music, and examines seventeenth-century performance practice as it pertains to the Vespers. Appendices include bibliographies and an analytical discography. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9780198164098
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Hardcover. Condition: new. Hardcover. This is a thorough-going study of Monteverdi's Vespers, the single most significant and most widely known musical print from before the time of J.S. Bach. The author examines Monteverdi's Vespers from multiple perspectives, combining his own research with all that is known and thought of the Vespers by other scholars. The historical origin as well as the musical and liturgical context of the Vespers are surveyed; similarly the controversial historiography of the Vespers in the nineteenth and twentieth centuries is scrutinized and evaluated. A series of analytical chapters attempt to clarify Monteverdi's compositional process and the relationship between music and text in the light of recent research on modal and tonal aspects of early seventeenth century music. The final section is devoted to thirteen chapters investigating performance practice issues of the early seventeenth century and their application to the Vespers, including general and specific recommendations for performance where appropriate. The book concludes with a series of informational appendices, including the psalm cursus for Vespers of all major feasts in the liturgical calendar, texts, and structural outlines for the Vespers compositions based on a cantus firmus, an analytical discography, and bibliographies of seventeenth-century musical and theoretical sources. This is the only extensive study of the Monteverdi Vespers, vastly expanding on the author's 1978 set of essays on the subject, long since out-of-print. The volume studies the Vespers from the perspectives of its musical and liturgical origins and context, presents analytical essays on the music, and examines seventeenth-century performance practice as it pertains to the Vespers. Appendices include bibliographies and an analytical discography. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9780198164098
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