Whether you are interested in Junk Art or Byzantine Art, the Ash-Can School or the Antipodeans, Praxiteles and Phidias or Gilbert and George, The Oxford Dictionary of Art is the first place to turn for accurate information about artists, schools, periods, techniques, critical terms, major museums, art historians, philosophers, and much much more. Compiled from three highly acclaimed Oxford Companions --The Oxford Companion to Art, to Twentieth-Century Art, and to the Decorative Arts--and with hundreds of new entries added, this authoritative, one-volume reference offers over three thousand entries on almost every aspect of Western art, as well as the most essential features of Asian art.
Here you will find the answer to almost any question pertaining to the world of art. In what museum is Parmigianino's Self-Portrait in a Convex Mirror exhibited today? Who coined the term "happening"? What are color field painting, hard edge painting, and op art, who are the most representative artists of these schools, and what are their best works? How does camaieu differ from grisaille? What is the most richly endowed museum in the world? As a further aid the Dictionary offers an extensive system of cross references, guiding readers to a wealth of additional information on almost any topic of interest.
Covering the entire history of art, this wide-ranging and up-to-date guide is an indispensable reference for scholars, for students, and for art enthusiasts of every kind. It is also a browser's delight, filled with fascinating facts about the personalities who people the world of art.
"synopsis" may belong to another edition of this title.
About the Editor:
Ian Chilvers is an art historian and freelance editor and writer. He is the co-author of A-Z of Art and Artists.
A handy work based on earlier Oxford Companions and revised from previous editions, this single-volume reference contains 3000 entries that discuss Western and Western-inspired art from antiquity on. It considers paintings, graphics, sculpture, and architecture in terms of artistic figures, periods, schools, techniques, critical terms, and museums; lesser artists are treated more concisely than major ones. Despite editorial claims that the dictionary is "up to date," coverage of recent activities is uneven, with Neo-expressionism and other contemporary movements and artists omitted. An easy format, accurate facts, and good cross-referencing make this a useful lexicon for the layperson or for general and public collections. Robin Kaplan, The Information Group, Los Angeles
Copyright 1988 Reed Business Information, Inc.
"About this title" may belong to another edition of this title.
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